Ikue Mori

After transferring to Ishinomori Middle School, Tetsuko "Alice" Arisugawa overhears her classmates discussing a strange rumor. The previous occupant of her seat, a nondescript "Judas," is missing and presumed murdered. Amidst dealing with her mother's undesired meddling in her affairs and warding off her classmates' bullying, the troubled Alice starts to investigate the mystery surrounding Judas' disappearance. The trail of clues leads her to the house of her next-door neighbor, the quirky and reclusive Hana Arai.

Experimental music and eroticism swirl about each other in Shiver, the second of the 8 Million stories which can be found in this lively and continuing collaborative ‘album’. In Kiss of Fire , Child reworks images from her squisy TV soap Swamp (1991), to punctuate romantic cliche.” Selected for New York Film Festival Video Visions (1993) Short songs chart erotic tales in an urban topology. Includes FISHTANK, SHIVER, KISS OF FIRE, 8 MILLION WAYS TO DIE, and FAINT CLUE. The myths of popular culture—romance and TV soaps— provide the motifs for the work which restructures memory-image-fragment to foreground the body against a mechanized landscape. In the shape of small stories, 8 Million rewrites women's drama.. And on occasion to be the basis of the score: image as conductor, the music performed to the video.

A story told by director Ken Jacobs but without conventional storyline. Using a modified magic lantern, an early type of image projector developed in the 17th century, he morphs, flickering images that look like photo-negatives.

Loosely based on a section of the great Indian Mahabharata epic, Mori's Bhima Swarga (The Heaven of Bhima) is a riveting audiovisual exercise that uses mural paintings from the 18th century Kertha Gosha court in Bali to create a beautiful jigsaw of colour, glitch, figurative exoticism and plastic abstraction

Ikue Mori continues to be one of the most respected and original voices in the laptop electronic music scene. Distinct and personal, her sounds are immediately recognizable as her own. For the past several years she has been incorporating visual imagery into her presentations, animating cutouts from Japanese woodblock prints in ways both charming and disturbing. Her latest work is her best yet, and draws upon the rich literature of Japanese Kibyoshi, satirical comics which pointed sharp barbs at contemporary society with a sharp focus on gossip, literature, political affairs and current events. Reversing, inverting and twisting truth and fiction, Ikue Mori creates a rich world of her own with sound and image.