Claude Giraud

Angelique is saved by the king of the cutthroats when she is endangered in the streets of Paris. After her hero is killed, she has many amorous affairs and becomes a successful businesswoman.

In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.

In 17th-century France, beautiful country maiden Angélique marries wealthy neighbor Jeoffray de Peyrac out of convenience, but eventually, she falls in love with him. So when Jeoffray is arrested and then vanishes, she bravely sets out to find him. This is the first of many dramas based on Anne and Serge Golon's novels about strong-willed Angélique and her adventures during the reign of Louis XIV, the Sun King.

Soon after her latest husband death, the King himself (Louis XIV) meets with our heroine and begs her to help convince the Persian Ambassador to agree to a treaty. However, what they didn't realize was that the handsome Persian was in fact a sexual sadist. So, it is up to the King's half- brother, some Hungarian prince, to save Angélique from the evil troll's clutches.

Stephane, the wife of a prominent magistrate, shoots and kills a man in her home and claims he tried to rape her. While investigating her case, her lawyer becomes hopelessly enmeshed in a web of lies and subterfuges concerning her past.

In a chain reaction of romantic adventures, various people play musical beds in a remake of Max Ophul's "La Ronde."

Commandant Gardefort, horseman at the Cadre Noir Riding Academy in Saumur, having given up hope of promotion decides to retire. To fill his time until then, he buys a mare, Milady, and in two years trains her to the highest dressage haute ecole standards. But he finds himself in dire financial straits over his divorce, and is obliged to sell the mare. She is bought by a rich Belgian banker, who transforms Milady into a circus horse. Visiting him, Gardefort resolves the situation in the only way he sees fit.

Agathe and Regis have a little boy, Benoît, who is very capricious and sometimes aggressive. The couple, on the verge of divorce, is planning to go on vacation in order to better reflect on their decision. To do this, Agathe and Regis publish an ad in a newspaper: "Young couple seeks au pair grandmother to take care of little boy, 10 years old...". An old lady, Rose, shows up. She arrives with a fish and a bird she can't part with. The first contacts with Benoît are very unpleasant. Not discouraged, she realizes that he is unhappy and that he suffers a lot from feeling unloved in his family.

The Marriage of Figaro, an adaptation of Beaumarchais' play, depicts a veritable social and romantic battle on the day of Figaro and Susanna's wedding, as Count Almaviva attempts to seduce the young woman despite her impending marriage. Throughout this eventful day, servants and masters clash in a game of intrigue, disguises, letters, and misunderstandings, each trying to thwart the other's plans. Figaro, cunning and determined, refuses to be humiliated, while Susanna and the Countess join forces to foil the Count's intentions. Around them gravitate Cherubino, Basilio, Bartolo, Antonio, and Marcellina, who further complicate the plot by adding jealousies, misunderstandings, and unexpected twists. Little by little, the Count's manipulations are exposed, and the women play a decisive role in the denouement.

A nuclear explosion has devastated France. Since then, Thomas and hundreds of other survivors have been struggling to stay alive underground. But the world above keeps calling to him; ignoring countless warnings, he ventures to the surface. There, a terrifying discovery awaits him: some people are still alive

A policeman and a serial killer play cat and mouse in an isolated mountain village in Nineteenth century France. The second film directed by the man who played the admirable lead role in Robert Bresson's A Man Escaped is a stylized and intense adaptation of a novel by Jean Giono. This police investigation in a 19th century village combines visual beauty with the rigor of the mise-en-scène—the vertigo of the criminal motivations indivisible from the refined graphics of the images.

Twenty-year-old Henri Rebecque wants to make his dream come true: to bring Benjamin Constant's Adolphe to the screen in amateur format. Armed with a sixteen-millimeter camera and a team of friends, Henri embarks on this adventure, playing the role of Adolphe himself. Despite all the warnings, he lived through the passion and ordeal of the novel's hero, right to the end. Different times and circumstances will not change this.

Benjamin lives with his widowed father, a designer and a bohemian artist. Olivia, his best friend, lives with his divorced mother, a lawyer who lives only for his work. Children decide to organize a meeting between the two parents, but unfortunately, neither seems interested in the other. Still, the two friends did not give up and seek new ways for the emergence of love between their parents.

This stage play from 1977 is adapted from the well-known play "Lorenzaccio" written by French poet and playwright Alfred de Musset. Set in 16th-century Florence, the play revolves around the complex and tormented protagonist Lorenzo, known as Lorenzaccio, who faces inner conflicts as he struggles with his desire for personal freedom and the responsibility he feels towards his city. Between political corruption, morality, and the struggle for justice; the stage blends with historical drama and psychological exploration.

A television adaptation of Jean Cocteau's surréalist take on the tragedy of Oedipus.

In the absence of her royal husband Theseus, thought to be dead, Phaedra declares her love to Hippolyte, Theseus's son from a previous marriage.

Orgon and his mother swear by Tartuffe, the self-styled devout who lives off them. The other members of the family, scandalized by the clergyman's hold over them, will do anything to expose his hypocrisy. Michel Bouquet plays an almost monstrous Tartuffe, whose only weakness lies in his feelings for Elmire.

A failed actress sinks into neurosis and mythomania. To give relief to her dismal existence, she engages in all kinds of activities ranging from false testimony to occasional prostitution.

Toumer, a young technocrat, denounces the domination of his country's economy by systematic corruption. His desire to put an end to these scandals triggers a series of events leading to an explosive solution.

Based on Emmanuel Roblès' book of the same name

The Cordier fight in family against the crime: the father is police captain, the son, investigating judge and the girl, a journalist.

Ulysses and his crew struggle against the divine entities that rule the universe, the ancient gods from Greek mythology.

It is the start of the 14th century and Philip IV the Fair reigns supreme over France. His three sons would rule after him. Isabelle, his only daughter, is married to King Edward II of England. Under Philip's reign, France is great but its people are unhappy. Only one power dares to stand up to him: the order of the Knights Templar. When the last Grand Master of the Temple, Jacques de Molay, is burned at the stake, he curses Philip and so begins a dark period, full of blood and violence, death and tears ...

Count Mátyás Sándor is the protagonist of this exciting series based on the popular novel by Jules Verne. In 1859, after the defeat of the Habsburgs in Italy, the wealthy Transylvanian lord sees the time has come to launch another armed struggle for Hungary's independence. The Viennese Chamberlain, however, learns of his activities and decides to 'liquidate' him. Two adventurous criminals are commissioned to carry out the assassination.

In the 18th century, the peasants of the forest of Rennes were oppressed by the Regent in the name of taxation. Their lord, the Marquis de Trémi, goes to Paris to denounce these abuses.