Juliana Cuervos

Bromelia dreams of a love for the rest of her life, while sewing trousseaus in her mother's bridal shop. When Pedro finally arrives, the love he yearns for so much will bring forth captivating and unexpected experiences.

Four very special couples fight with life to achieve their desires. Some are looking for respect and the right to love each other. Others face treason and hidden truths. Four stories full of humour, drama and passion. They are joined by a common space: they are inhabitants of "Central Park".

Rufino, a man of 71, is widowed and decides to return to the village where he met his wife. There is reunited with his landscapes and his friend Gaspar, a painter who has taken over a little orphan girl named Ana eight-year-E, Rufino who will be forced to remain under the same roof, despite its hostile coexistence . The loneliness of these characters are facing, beginning strokes to a new way to overcome abandonment.

Eugenia, 30, is torn between fulfilling or not a promise made 13 years ago to Luis, his brief and tragic teen love.

On April 11th of 2002 a coup d'état against the venezuelan president Hugo Chávez Frías kept the country in a state of total uncertainty regarding his whereabouts, two days later he returned to power. This is a chronicle of those days.

The film reproduces the historical moment when Cipriano Castro, then president of Venezuela, proclaimed: "The insolent plant of the foreigner has desecrated the sacred soil of the fatherland!" While the coasts were invaded by imperial forces in 1902.

Roberto is a middle class working professional trying to survive hyperinflation amid the Venezuelan crisis while maintaining his unemployed mother. An argument breaks out when she asks him to buy flour for her birthday cake. In an effort to make amends, he resorts to the black market to buy the scarce food, but gets caught in the violent looting of a market.

1, 2 y 3 Mujeres addresses the issue of women and their relationship with their social and geographical environment from different perspectives and aesthetic proposals through the stories of Eloína, Rosario and Gregoria. Eloína shows the greatness and value of assuming certain positions in the role of mother. Rosario exposes the experience of candor to the woman in the context of loneliness and Gregoria shows weakness versus strength and impetus in decision making to guarantee emotional stability.