Chelo Loureiro

Arnold, an unemployed middle-aged mouse, confides to his wife Maria that he suspects his entire world is nothing more than a set, and his life a scripted performance. When his best friend Ramiro dies under mysterious circumstances, he traces the conspiracy to a monolithic corporation whose influence reaches every corner of their daily lives.

An army of bear cubs train and indoctrinate young recruits for the war against the unicorns, which threatens the safety of the cubs. Brothers Bluey and Tubby, along with a group of inexperienced cadets, are sent on a dangerous mission to save the Magic Forest, where the unicorns live, and start a terrible battle.

The world is a wonderful stage, but its characters are disgraceful.

Valentina is fed up of her Down’s syndrome, convinced that it prevents her from making her dream true: becoming a trapeze artist. But a magical journey will reveal to her all that she is capable of doing.

In the near future, the Government aims to replace judges with Artificial Intelligence software, pledging to effectively automate and depoliticize the justice system. Carmen Costa, a distinguished judge, has been invited to assess this new procedure. However, when the software’s creator is found dead, she realizes her life is in danger and that she will have to fight the powerful interests that are at play in the highest echelons of the State.

Mumu discovers a flock of sheep grazing in the park where he plays with his friends Milo, Rita, Talalo, Alfred and Olga, and can´t avoid compare her snowy appearance to them, the troops of cloth, fabrics made ​​of very different prints, lots of spots of all colors playing in the field and in the puddles. And feel some shame and envy of his friends of the sheep shiny. And when he discovers that these sheep are actually spotless stars that will be part of a great show, Mumu is so fascinated that he have to change what is necessary for that to become also a glamorous star. She was a very special cow can not keep wasting time with a group of friends wrong.

When her brother is kidnapped by Mu-Ki-Ra, Cleo ventures into a monster-plagued jungle with unlikely allies.

María narrates in first person her mother Adela's journey from Asturias to Havana in 1929. On this trip, she follows her sister Segunda, who had left years earlier and to whom she was very close. Adela, like her sister, grew up cleaning and washing clothes in the prao, a field that was always covered in snow, causing her constant ovarian pain in the cold. Painful and heavy periods are a heavy burden, but thanks to sisterhood and understanding, Adela will gain the confidence to take control of her life at the end of her journey. The story María tells us is a story of migration, one that has always existed and will continue to exist. It is also a cycle—one that repeats itself in many lives—but one that has only one meaning: it is a cycle of departure.