Dave Tendlar

Santa has an accident at Fred's house on Christmas Eve, Fred and Barney have to continue his run for him.

Shaggy and Scooby-Doo quit their Saturday morning TV series in pursuit of Hollywood stardom.

Superman has to thwart wartime saboteurs tampering with things at the Metropolis Munitions Plant...who have captured Lois Lane and loaded her into a torpedo!

Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally-miniscule rival, Blefiscu, as well as smooth the way for the romance between the Princess and Prince of the opposing lands. In this he is alternately aided and hampered by the Lilliputian town crier and general fussbudget, Gabby. A life-threatening situation develops when the bumbling trio of Blefiscu spies, Sneak, Snoop, and Snitch, manage to steal Gulliver's pistol.

The happy tranquility of Bugville is shattered when the populace learns that a colossal skyscraper is to be built over their tiny town.

Olive Oyl's screenplay for an Aladdin movie comes to life and Popeye battles for control of a genie in this, the last of the three Popeye color films.

Two of Popeye's nephews get caught playing with fireworks on the Fourth of July. Popeye takes them away, and they spend the rest of the picture trying to get them back (mostly by getting Popeye away from them).

Popeye and Bluto are on leave in the South Seas when Princess Alona (Olive) comes surfing by in her Sarong, a bird perched on her knee. The boys are smitten, and chase after her. The bird warns our boys that any harm to the princess will result in death from the local volcano.

Popeye and Bluto battle over Olive in an amusement park.

Popeye and Olive open a diner, singing the title song. Alas, their first two customers are Wimpy (who actually gets them to fall for the "gladly pay you Tuesday" schtick) and Bluto, who orders 6 sandwiches and refuses to pay for them. This leads, of course, to a fight, which Popeye needs his spinach to win.

In Judge Wimpy's courtroom, Bluto accuses Popeye of assault and battery; he claims to have been attacked by him on several occasions, without provocation. Popeye then tells his side.

Popeye gives Olive a parrot that he's trained. Bluto sets the bird free and then tries to kill it.

A young boy obsessed with trains sneaks out to play with the real trains that run just a few feet from the fence around his house. When he falls off of one and is knocked unconscious, he has a dream.

Bluto, the daring hot air balloon rider, catches the eye of Olive at a carnival, much to Popeye's chagrin. Bluto manages to make Popeye look bad several times, eventually winning a ring at the ball toss and taking her up in his balloon. Of course, he tries to get fresh with her, and Popeye comes to the rescue with the help of some fireworks. The hot air balloon gets a bit too hot, putting Olive in even more danger.

Popeye and Olive are grooving to the sounds of Wimpy the organ grinder, but their neighbor Bluto wants him to move on. Popeye and Bluto settle their disagreement in their usual fashion.

Fleischer Studios 'Screen Song' with Ethel Merman singing the songs.

Herman and Katnip in an art school.

A Mardi Gras celebration, looking pretty much like any carnival. Bluto is a strongman, claiming to be King of the Mardi Gras, and drawing a large crowd. Popeye, nearby, claims only, "I yam what I yam," and has no crowd, but still draws Bluto's wrath.

Popeye's on a battleship, on which he's banished to the boiler room. A Japanese sub comes along. Can Popeye save his ship from the enemy?

Popeye and Bluto are taxi drivers; they are, of course, competing for fares - and Olive, in particular.

It's time for lunch, and Spunky (the baby donkey) is expected to feed on healthy (and awful-tasting) Vitamin Hay. He resists, and wanders out of the barn to look for more interesting things to eat.

At Halloween, Olive Oyl is reading ghost stories to Popeye and Bluto. Popeye scoffs. Bluto decides to take advantage of this by pretending to go home, then staging various pranks.

Private Eye Popeye gets a call from Olive Oyl to guard a precious gem. But no sooner does he get the gem than the butler takes it.

For customer Betty Boop, psychic reader Prof. Bimbo conjures up an adventure on a haunted tropical island in his crystal ball.

The theatrical run of Popeye the Sailor from 1933 to 1957 represents one of the most enduring and influential eras in American animation history. Spanning 231 shorts, this golden age of Popeye evolved across two distinct production studios: the boundary-pushing, gritty Fleischer Studios (1933–1942) and the more formulaic, brightly colored Famous Studios (1942–1957). Together, they transformed E.C. Segar’s comic strip character into a global cinematic icon, establishing formulas and animation techniques that altered the medium forever.