Dave Tendlar

Santa has an accident at Fred's house on Christmas Eve, Fred and Barney have to continue his run for him.

Shaggy and Scooby-Doo quit their Saturday morning TV series in pursuit of Hollywood stardom.

Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally-miniscule rival, Blefiscu, as well as smooth the way for the romance between the Princess and Prince of the opposing lands. In this he is alternately aided and hampered by the Lilliputian town crier and general fussbudget, Gabby. A life-threatening situation develops when the bumbling trio of Blefiscu spies, Sneak, Snoop, and Snitch, manage to steal Gulliver's pistol.

Superman has to thwart wartime saboteurs tampering with things at the Metropolis Munitions Plant...who have captured Lois Lane and loaded her into a torpedo!

The happy tranquility of Bugville is shattered when the populace learns that a colossal skyscraper is to be built over their tiny town.

Olive Oyl's screenplay for an Aladdin movie comes to life and Popeye battles for control of a genie in this, the last of the three Popeye color films.

Popeye and Bluto are on leave in the South Seas when Princess Alona (Olive) comes surfing by in her Sarong, a bird perched on her knee. The boys are smitten, and chase after her. The bird warns our boys that any harm to the princess will result in death from the local volcano.

Popeye and Olive open a diner, singing the title song. Alas, their first two customers are Wimpy (who actually gets them to fall for the "gladly pay you Tuesday" schtick) and Bluto, who orders 6 sandwiches and refuses to pay for them. This leads, of course, to a fight, which Popeye needs his spinach to win.

Popeye gives Olive a parrot that he's trained. Bluto sets the bird free and then tries to kill it.

In Judge Wimpy's courtroom, Bluto accuses Popeye of assault and battery; he claims to have been attacked by him on several occasions, without provocation. Popeye then tells his side.

Bluto, the daring hot air balloon rider, catches the eye of Olive at a carnival, much to Popeye's chagrin. Bluto manages to make Popeye look bad several times, eventually winning a ring at the ball toss and taking her up in his balloon. Of course, he tries to get fresh with her, and Popeye comes to the rescue with the help of some fireworks. The hot air balloon gets a bit too hot, putting Olive in even more danger.

Two of Popeye's nephews get caught playing with fireworks on the Fourth of July. Popeye takes them away, and they spend the rest of the picture trying to get them back (mostly by getting Popeye away from them).

Popeye and Olive are grooving to the sounds of Wimpy the organ grinder, but their neighbor Bluto wants him to move on. Popeye and Bluto settle their disagreement in their usual fashion.

Olive tells Popeye and Bluto that she loves a man in a uniform, so they try to sign up at the recruiting station - that can only take one of them.

Herman battles Katnip in a costume epic satirizing the Robin Hood story. Katnip is the offical tax collector. Taxes have gone up 100%. The first place that Katnip hits is Povertyville. No money there... only Robin Hood Herman. Herman follows Katnip back to the castle and recovers the money for the mice after a battle. Katnip gets sliced clean down the middle with a fancy medieval executioner's axe!

A Mardi Gras celebration, looking pretty much like any carnival. Bluto is a strongman, claiming to be King of the Mardi Gras, and drawing a large crowd. Popeye, nearby, claims only, "I yam what I yam," and has no crowd, but still draws Bluto's wrath.

Popeye's on a battleship, on which he's banished to the boiler room. A Japanese sub comes along. Can Popeye save his ship from the enemy?

Herman and Katnip in an art school.

Popeye and Bluto battle over Olive in an amusement park.

At Halloween, Olive Oyl is reading ghost stories to Popeye and Bluto. Popeye scoffs. Bluto decides to take advantage of this by pretending to go home, then staging various pranks.

A traditional Native American grandfather disapproves of his young grandson's hep cat ways, and tells the boy about how the grandfather was a great hunter as a young boy himself.

Popeye applies for a lifeguard job when he sees Olive in the pool, but Bluto also wants the job (and Olive). The manager, Wimpy, asks them to demonstrate their skills in a contest. Popeye does well, until Bluto demonstrates lifesaving and first aid on him.

Popeye and Bluto are taxi drivers; they are, of course, competing for fares - and Olive, in particular.

A young boy obsessed with trains sneaks out to play with the real trains that run just a few feet from the fence around his house. When he falls off of one and is knocked unconscious, he has a dream.

The theatrical run of Popeye the Sailor from 1933 to 1957 represents one of the most enduring and influential eras in American animation history. Spanning 231 shorts, this golden age of Popeye evolved across two distinct production studios: the boundary-pushing, gritty Fleischer Studios (1933–1942) and the more formulaic, brightly colored Famous Studios (1942–1957). Together, they transformed E.C. Segar’s comic strip character into a global cinematic icon, establishing formulas and animation techniques that altered the medium forever.