Gaizka Urresti

A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.

Actors and filmmakers revisit the career of José María Forqué, a director whose name is familiar through the awards that honour him but whose work is less widely known. His own voice joins their recollections in a portrait of his approach to filmmaking and his place in Spanish popular cinema.

A young couple visits a widow named Amparo on Christmas Eve to possibly buy her floor. But Amparo seems more interested in their lives than a flat sale.

Two brothers in financial dire straits, spurred by an unscrupulous lawyer, try to kidnap a construction tycoon but mistakenly capture a Catholic bishop instead. A frantic getaway ensues in search of a miraculous way out.

The extraordinary life of cinema pioneer Segundo de Chomón.

Around an old Chevrolet abandoned in a city square, a series of characters seek refuge and shelter.

Three women from three different generations and walks of life find themselves in a very hot, semi-deserted Spanish town. Patricia is a 17 year old roaming Spain in search for a certain man; Sol is 27, a door-to-door salesgirl in dire economic straits who has just been thrown out of her apartment; and Virginia is a middle aged housewife, who after 20 years decides to start a new life. These three spend a very unique 24 hour period together, often acting, as the title suggests, as modern day "witches".