Sigrún Hjálmtýsdóttir

Movie Days

This Icelandic tale, loosely based on the real-life experiences of director Fridrik Fridriksson tells the saga of a boyhood spent in Iceland in the 1960s.

The Silvermoon

The television adaptation of the 1954 play Silfurtúnglið by Hrafn Gunnlaugsson updates the interwar story of Lóa, a housewife with a beautiful singing voice who delights in serenading her newborn son. Discovered by the dubious Feilan, manager of the nightclub “Silver Moon,” she’s cast as his emblem of purity for the club’s jaded clientele, only to find her talent erased and her performances reduced to humiliation. In the same production, Gunnlaugsson also modernizes Lilja’s 1933 short story “Fótatak manna,” relocating its 1920s setting to the present: medical students exhume the body of a poor, friendless man in the name of science, callously stuffing his coffin with rocks.

The Fish Can Sing

As Álfgrímur, an orphaned boy, begins to encounter the minor politicians, businessmen, and social-climbers of the growing town of Reykjavík, he starts to question his future as a fisherman's grandson and is increasingly fascinated by Garðar Hólm, the celebrated Icelandic "world singer" whose sporadic returns to Iceland encourage Álfgrímur to pursue his own personal goals of self-expression. He discovers the true value of his boyhood experiences only as he sets out on a path that will take him away from them forever.

Movie Days

This Icelandic tale, loosely based on the real-life experiences of director Fridrik Fridriksson tells the saga of a boyhood spent in Iceland in the 1960s.

The Silvermoon

The television adaptation of the 1954 play Silfurtúnglið by Hrafn Gunnlaugsson updates the interwar story of Lóa, a housewife with a beautiful singing voice who delights in serenading her newborn son. Discovered by the dubious Feilan, manager of the nightclub “Silver Moon,” she’s cast as his emblem of purity for the club’s jaded clientele, only to find her talent erased and her performances reduced to humiliation. In the same production, Gunnlaugsson also modernizes Lilja’s 1933 short story “Fótatak manna,” relocating its 1920s setting to the present: medical students exhume the body of a poor, friendless man in the name of science, callously stuffing his coffin with rocks.

The Fish Can Sing

As Álfgrímur, an orphaned boy, begins to encounter the minor politicians, businessmen, and social-climbers of the growing town of Reykjavík, he starts to question his future as a fisherman's grandson and is increasingly fascinated by Garðar Hólm, the celebrated Icelandic "world singer" whose sporadic returns to Iceland encourage Álfgrímur to pursue his own personal goals of self-expression. He discovers the true value of his boyhood experiences only as he sets out on a path that will take him away from them forever.