Alessandro Laroca

In future Rio de Janeiro, a young leader of the resistance must enter a deadly parkour-inspired competition in order to save his sister's life.

After a bloody invasion of the BOPE in the High-Security Penitentiary Bangu 1 in Rio de Janeiro to control a rebellion of interns, the Lieutenant-Colonel Roberto Nascimento and the second in command Captain André Matias are accused by the Human Right Aids member Diogo Fraga of execution of prisoners. Matias is transferred to the corrupted Military Police and Nascimento is exonerated from the BOPE by the Governor.

Nina is an elderly woman who lives alone and feels distressed by the increasing violence in her neighborhood. Amidst conflicts with her neighbors, she decides to film the movement of drug traffickers from her window, hoping to assist the police. After months of recording suspicious activities, her initiative attracts the attention of a journalist, who approaches Nina and offers to support her in her mission.

In 1951, New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Mary is jealous, but unconventional Lota is determined to have both women at all costs. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet.

When the progress of robotics makes Paralympic athletes the new sports stars, Maria dreams of competing against her sister. For that, she will have to enter a world of crime and violence.

A portrait of one of Brazil’s greatest actresses, centered on the one thing inseparable from her identity: her craft. The documentary follows Fernanda Montenegro through her most recent work while looking back at the past to trace the making of a great actress over the course of her career. Directed by Pedro Waddington, son of filmmaker Andrucha Waddington—Fernanda’s son-in-law—the film embraces their family relationship as part of its narrative, capturing intimate moments with the actress backstage and unveiling previously unseen footage of projects made together as a family.

Afro-Brazilian poet and politician, the legendary Carlos Marighella. Driven to fight against the erosion of civil and human rights following the CIA-backed military coup of 1964 and the brutal, racist right-wing dictatorship that followed, the revolutionary leaves behind his wife and son to take up arms, becoming a notorious enemy to the power structure.

A group of literature-loving friends bury letters to be opened 10 years later when they will confront the dreams of their youth with what the future has held in store for them.