Nikola Pejaković

Biopic about Serbian folk singer Toma Zdravković, the man who is remembered not only for his songs and unique way he was singing them, but also as a bohemian, both in his behavior and his soul.

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

Mirko, an average football player at the end of his career, is back in his hometown because of a knee injury. His family owns a restaurant which is on the verge of collapsing, both because of the economic unprofitability, and because of the plans of local criminals who are interested in the plot where the restaurant is located. One of those criminals is Slavko, Mirko's childhood friend, who suddenly returns to his life, just when Mirko needs him the most.

Our heroes are high school students spending an unforgettable summer, full of adventures, on their way to a big rock festival. Producer Sava and director Žarko Babajić are filming an extreme sports commercial with Marija and Sindi. Mysterious “Zduhach” “refreshes” Uroš and Nenad with some local “kleka” juice. Stolen identity makes new rapper star G Spot Tornado angry, so things get even more complicated.

Ivan teaches history in a Belgrade high school. In his class, Ivan is provoked by a student and ends up slapping him on the face. In Serbia, in the heat of transitional changes, Ivan’s presence in school is no longer welcomed. He finds a temporary job opportunity in a war-scarred mountain village in Bosnia. On his way there, he meets Yasmina, a young Muslim woman, back from Germany to her homeland after the war and after being invited by an old friend – Hazim - who now runs a motel. A lone kiss in a stormy night, in a village still lying in ruins, will bring Yasmina and Ivan closer together in a joint escape from reality and to a ride on a dusty bus, where neither one of them wants to sit next to the window.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

Belgrade during the height of the war Yugoslavia in 1999. Kaja struggles with daily destruction and the constant threat of being drafted, but also with his impending divorce from his wife Tijana, who wants to emigrate with their son.