Dragan Bjelogrlić

Biopic about Serbian folk singer Toma Zdravković, the man who is remembered not only for his songs and unique way he was singing them, but also as a bohemian, both in his behavior and his soul.

Miljenko, a successful Croatian businessman, receives the news that his company has just filed for bankruptcy. Things seem to be looking up, however, when his daughter announces not only her engagement, but also her pregnancy and upcoming nuptials. The only caveat? The love of her life is none other than the son of the Serbian prime minister.

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

A man, old, decrepit, terrified, in a house with his friend Goran. Outside he wanders aimlessly, seeing enemies in both neighbours and foreigners. Ena, a journalist, arrives in the village, to film a story on heritage guardians. Through her camera lens she discovers a strange Man, secretly watching. His „hiding place“ has been exposed. Ilness and reality clash. In the house a threat appears, a wartime lover, with the message that the devil has come to collect his due. A stormy night and fateful encounters. To run or to fight and face it all? And return?

In a near-future Belgrade, a DJ stirs up trouble with his rocking anti-establishment broadcasts. After his station is shut down, he takes to the street and starts transmitting revolution with the police hot on his trail.

What happens when you find documents and compromising feminine items belonging to an unknown young woman in a taxi on New Year's Day, and you forget to inform your wife about it?

The story behind and around famous American director Nicholas Ray's 1960s stay in SFR Yugoslavia. The celebrated director who was the toast of Hollywood only a decade earlier having made Rebel Without a Cause has fallen on hard times and is now desperately trying to re-establish his spiraling film career. On the other hand, his powerful host, Avala Film director and former Yugoslav secret service operative Ratko Dražević, is dreaming big dreams - he is trying to establish a 'Hollywood behind the Iron Curtain' of sorts.

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.