Gwyneth Jones

Beethoven's opera Fidelio, conducted by Karl Böhm, featuring Gwyneth Jones as Leonore and James King as Florestan

Wagner's erotic opera in a production by the German Opera of Berlin under the direction of Gotz Friedrich, with music conducted by Jiri Kout. Recorded at the Deutsche Oper Berlin.

Götterdämmerung, the fourth of Richard Wagner's four Ring operas. The cast features Manfred Jung as Siegfried and Gwyneth Jones as Brünnhilde, with music provided by Bayreuther Festspiele Orchester conducted by Pierre Boulez. This title is available in a boxed set with the other Ring operas, Das Rheingold, Die Walküre, and Siegfried.

Depicts the consumerism of the mythical city of Mahagonny, conveying all its ripe decadence. A Hollywood Babylon full of pyramidal towers, carved elephants, commodified sex and licensed gluttony. An opera in three acts, live from the Salzburger Festspiele, 1998. Conductor: Dennis Russell Davies. Stage Director: Peter Zadek.

The second part of Patrice Chérau's epoch-making Bayreuth Ring is a radical re-imagining of Die Walküre, unprecedented in its psychological penetration. This production of " Die Walkure," staged as part of Patrice Chereau's Centenary celebration marking the 100th anniversary of the completion of the "Ring," this lavish performance features Donald McIntyre as Wotan, Peter Hofmann as Siegmund, and Gweneth Jones as Brunnhilde; Pierre Boulez conducts the Orchester Der Bayreuther Festspiel.

The third opera in Richard Wagner's epic Ring cycle, Siegfried follows the adventures of the son of demigods Siegmund and Sieglinde as he conquers his enemies and rescues the beauteous Brunnhilde with the help of his magic sword. This video preserves the controversial 1976 Bayreuth Centenary production, with Pierre Boulez leading the Bayreuth Festival Orchestra. Manfred Jung leads the cast as Siegfried, with Gwyneth Jones as Brunnhilde, Donald McIntyre as the Wanderer, and Hermann Becht as Alberich.

TANNHÄUSER UND DER SÄNGERKRIEG AUF WARTBURG is a grand opera by Richard Wagner in three acts. After experiencing boundless sensuality and freedom with the fun-loving Venus (soprano), the singer Tannhäuser (Tenor) finds it impossible to conform to the cultured setting of his betrothed Elizabeth (soprano), who loves him. During a singing contest, Tannhäuser describes the affair with Venus as the ultimate love experience and because of that, he is cast out from the established society. Thanks to Elizabeth's intervention, he is allowed to undertake a pilgrimage to the Pope to ask for the Holy Father's pardon. If the Pope accepts to forgive him, he would be allowed to take back his place in society. Tannhäuser accepts. But fate will not allow him to meet with his beloved Elizabeth again in this life. This is a recording of the legendary staging by Götz Friedrich for the 1978 Bayreuth Festival conducted by Sir Colin Davis.

Franz Léhar's operetta The Merry Widow has enjoyed extraordinary international success since its premiere in Vienna in 1905 and has been performed and performed again and again. With the 1979 revival at the Deutsche Oper Berlin, August Everding revives a forgotten piece of German-Jewish cultural history. When the Deutsche Oper Berlin staged this great work in 1979, the opera house initially came in for fierce criticism. However, this was not due to the performance itself, but to the fact that the Deutsche Oper Berlin was including operettas in its program for the first time. After 40 years, we have now succeeded in publishing this wonderful performance. This is also thanks to the approval of Dame Gwyneth Jones.