Haradhan Bandyopadhyay

The heartwarming tale of Barfi, a charming deaf-mute young man from 1970s Darjeeling, and two unalike women who can't help but fall for him.

Childhood sweethearts Lalita and Shekhar wish to get married someday. However, Shekhar's growing suspicions about Lalita coupled with his conniving father's antics threaten to tear them apart.

When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.

Prafulla is beautiful and righteous but is mistreated by her in laws because of her poverty. Prafulla comes to a fortune by chance and is guided by Bhabani Pathak, a nationalistic religious leader to use this fortune in the cause of justice. She is trained rigorously and becomes a bandit queen wrapped in mystery and even fights back Colonial British forces to safeguard villagers.She becomes the legendary Debi Chowdhurani. Gradually incidents take such a turn that her erstwhile tormentors, i.e. her in laws come under her power and the movie ends with reconciliation.

Arati takes a job as a door-to-door saleswoman in Calcutta's wealthy neighbourhoods, in defiance of her traditionally-minded husband, Subrata, and his live-in parents. Emulating her Anglo-Indian friend Edith, who speaks equal to the men she encounters on the job, Arati quickly becomes her firm's top salesperson. When Subrata loses his job, the power dynamic begins to shift.

Amitabha Roy is a Calcutta-based scriptwriter, driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative.

The story of Sub-inspector Dibakar Singho who settles every dispute in his town with wisdom and logic, is compelled to use force when an extortionist with mafia links - Arjun Sarkar confronts him. An official remake of the Tamil Superhit film Singam which starred Surya and Anushka Shetty. Singam was written by Tamil director, Hari, who is known for his movies with rural settings.

Set in the holy city of Benares, this is the second film about the detective Feluda, who goes on a holiday with his cousin, Topshe, and his friend, Lalmohan Ganguly. But the theft of a priceless deity of Lord Ganesh (the Elephant God) from a local household forces him to investigate.

By accident, more than anything else, the three find themselves beside the grave of Thomas Godwin. The grave was dug up by some miscreants for unknown reasons. The rather colorful history of Mr. Godwin makes Feluda curious to know more about the man.From the diary of Thomas' daughter Charlotte, Feluda finds that a very precious clock went to Thomas' grave with him. To his surprise, Feluda finds that another party knows about this clock and they are trying to get it aided by the letter with them. Thanks to the brilliance of the detective and the help of 'Haripodobabu', the chauffeur of Mr. Ganguli, a new introduction in this book, their plot is foiled.

Famous Bengali private investigator Pradosh C. Mitter (Feluda) is hired by wealthy businessman Dinnanath Lahiri. His suitcase has been accidentally exchanged with someone on the Kalka Mail. Inside it is a valuable manuscript written by Shambucharan Bose. The case takes Feluda, Topshe and Jatayu to Shimla, where they discover a priceless diamond in a film container, disguised as a betel - nut. 'The Three Musketeers' face great danger in Shimla, before Feluda eventually solves the case.

A young man still to find a place in the sun puts up an innocent bluff to a young girl he chances upon. They meet frequently since then. Bluffs continue to pile up. There is no way out. In a desperate bid the young man tries to break the wealth barrier. His friend, well placed in life, cautions him. He turns a deaf ear. The inevitable happens. The young man grows wiser but pays heavily for it.

Ananta Das is a normal middle class man like any other common man. Everyday he avails the 8:08 A.M Bongaon Local to Kolkata to attain his office. Some known and unknown common people are his companions throughout his journey everyday. He has seen many incidents, which created a deep impression in his life. One such incident was the murder of a brother who protested against a group of drunkards who were teasing his elder sister ("Rajiv murder case in Barasat"). Preliminarily he remained silent against all these incidents. But on one day, his protesting nature, inside him, burst out. He started protesting against each and every wrong deed, irrespective of the level of crime. As a result he stands out as a protesting person in front of other common people. He turns out to be the target of the leaders of the society.

Atindranath Bannerjee, a retired teacher, faces harassment from his family members and decides to discipline them. Later, he shifts to a slum and starts teaching underprivileged children.

A middle-aged dentist sees his life falling apart: suffering from psychosomatic illnesses, abandoned by his wife, and disliked by his son, he finds refuge in memories of his idyllic childhood.

Sexy Sunita, who hails from a rich family, is mesmerised by Gopal's music. Their interactions over time compel them to believe they were lovers in their past lives.

Ambitious businessman Shyamalendu enjoys showing his visiting sister-in-law, Tutul, the extravagant life he leads with his wife. But Tutul is less than impressed with the trappings of wealth.

Mithu Mukherjee belonged to a poor family. Her father was suffering from a chronic disease. They didn't have enough money to buy his medicines. Her father (Asit Baran)'s friend had cheated him due to which they had to mortgage even their house to him. Mithu Mukherjee decided to help her family and came out of her house in search ofa job. At last she got a job in a company which however stopped its business within a few months' time. She then joined a hotel where she met Uttam Kumar. Uttam Kumar was a bar singer there. He was a singer in disguise and he used to help distressed women who were exploited by the so-called upper class rich people. Mithu Mukherjee (Khuku) was helped by Uttam Kumar who helped her family get her ancestral house back. At last Uttam Kumar gave all the secret details of those people to the police and took his leave.

Goopy and Bagha are invited to the Kingdom of Shundi, where they must outwit an evil astrologer and his imposter to save the king and prevent an attack from the neighbouring kingdom of Halla.

A young boy becomes a target for crooks, after he claims to remember his past life and mentions precious jewels in a golden fortress.

Shubho and Deepika struggle to unite owing to Deepika's snobbish father who disapproves of Shubho. Meanwhile, her father betroths her to an evil man who is only interested in their family's property.

A filmmaker, averse to starting a family, intends to cast a disapproving couple's school-going son in a movie. What follows is a light-hearted journey that could potentially make him rethink his preferences about having a child.

The film presents the life and work of the writer Sukumar Ray, Satyajit Ray's father. Ray made this film as a tribute to celebrate the centenary of his birth.

Shibnath is released from prison after serving eleven years for assaulting a British officer. His family has now become refugees, with his homeland, following Partition, belonging to a new nation. His wife urges him to make ally with his friend Bipin who is willing to capitalize on Shibnath's legendary reputation for patriotism, by asking to accompany him in electoral campaigns. In exchange, Bipin is ready to arrange Shibnath the job of a school master. However, Shibnath remains disillusioned and mystified by the life that now lies before him away from his beloved—and irretrievably lost—homeland.

After her husband passes away at a regressive Shyambazar household, progressive Bandana falls in love with her son's painting mentor, Sudipto Sorcar. However, due to Titli Chatterjee's mother's objection, Bandana gives up on her love and starts living at the orphanage.