Carles Santos

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

Obsessed with finding her old boyfriend, Gumer, a 25-year-old girl, is released from jail in Barcelona, one of Europe's most sought-after port cities for drug trafficking and prostitution. Charo, her best friend, tries to help her, although she is not free, since depends on her pimp "Toni". But Gumer will persuade Charo to abandon Toni and form, along with other friends, a band to start businesses on their own.

This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.

Barcelona, 1983. Agustí Martorell is a left-wing lawyer, atheist and former anti-Franco fighter, who discovers that his 15-year-old daughter Esther, influenced by the optional religion classes of Mossèn Parcerisas, a progressive priest and post-councillor, has converted to Catholicism and was secretly baptized.

Documentary about the history of experimental cinema in Spain. FRAGMENTS is a historical survey of “the other” Spanish Cinema — films that brazenly explored their artistic, poetic and conceptual potential. Spanish experimental cinema can be glimpsed in a series of important yet isolated events that FRAGMENTS compiles through various firsthand accounts, film excerpts and documents. For the first time in Spain, a documentary brings together the most relevant of a cinema that is slowly losing its invisibility.

Paco, a middle-class young man, tells his lover the shady story of his cousin Montse, a social worker.

Super-8 film by Catalan-Venezuelan artist Mariaelena Roqué.