Gaston Peterson

González lives in a dilapidated room in Mexico City, a lost soul in one of the world’s biggest metropolises. Desperate to be someone in life—and to pay off his debts—he embarks on a journey into the increasingly magnetic world of big-box Christianity. Religion seems to offer a quick path to becoming rich and soon González is willing to do anything in his power in order to make it happen. A thriller that evokes the gritty style of Martin Scorsese’s Taxi Driver, Gonzalez: The False Prophet is a suspenseful ride through the darker side of charismatic preachers and upstart religions that flourish on the hardearned money of desperate people in need of hope.

An alcoholic becomes involved in a fellow A.A. member's plan to kidnap her young son from the boy's wealthy grandfather.

Mexico at the beginning of the 20th century: one night the monks of the San Francisco Abbey find a baby in front of their gate. They call the boy Marcelino and take care of the little one with devotion...

Mr. Balboa had a heartless grandson who, at the time, was kicked out of the house (a fact concealed from his wife). Since then he had forwarded himself letters sent in theory by his grandson in order to please his wife. The real grandson decides to go home (looking for money) but the boat where he was traveling sinks. Balboa hires an impersonator and master of beneficial illusions (Mauritius) and together with a cute girl (Isabel), they pretend to be the missing grandson and his "happy wife" to the grandmother, who is very pleased with the guest. But then comes the surprise...the real grandson is alive and he is on his way to return home.

Marcelo feels he's found the incarnation of his favorite superhero in Julio, his troublesome and eccentric neighbor whose biggest dream is to become a porn star, but Mrs. Martha, who still treats her son Marcelo like a kid, will never permit such a relationship to flourish. Emotionally disturbed, she will try to protect the only thing she's got left in the world: her son.