Eugenio Allegri

When Englishman Jonathan Harker visits the exotic castle of Count Dracula, he is entranced by the mysterious aristocrat. But upon learning that the count has sinister designs on his wife, Mina, Harker seeks help from vampire slayer Van Helsing.

How will the Germans react to the armistice of the 8th of September 1943, due to which Italy betrays them and sides with the allied forces? This is the distressing questions that a group of 16 Italian - Greek Jews evacuated at The Meina Hotel ask themselves.

On December 12, 1969, a bomb kills 17 people at the Piazza Fontana national bank in Milan, Italy, marking the beginning of the Years of Lead. Local anarchists are scapegoated for the massacre by police and the media, but a lone prosecutor uncovers a conspiracy of far-right groups, corrupt secret services, and other interests that seek to undermine democracy.

In 19th-century Italy, Giacomo Leopardi channels his debilitating illness and isolation into poetry.

In 17th century France, a theater troupe is allowed by its patron to go to Paris to produce an erotic play. The head of the troupe dreams of fame while his wife, the leading actress, and a new leading girl fall for each other.

Dante, a pony express in serious debt, meets Nina, a hostess stuck in Torino for the night.

Needing good PR, a snooty princess orchestrates a brief romance with an ordinary guy. But the schlub she picks proves more resourceful than expected.

Registe, talking on a blade is an Italian documentary about the Italian Cinema signed by women and about the pioneer of the Silent Cinema Elvira Notari (1875-1946) plays by Maria De Medeiros. The directors interviewed are the most important Italian women directors: Lina Wertmüller, Cecilia Mangini, Francesca Archibugi, Francesca Comencini, Wilma Labate, Cinzia Th Torrini, Roberta Torre, Antonietta De Lillo, Giada Colagrande, Donatella Maiorca, Ilaria Borrelli and others.

In the service quarters of a grand hotel, a young maid and a man meet in a situation which breaks all certainties and identities.

Hans Schabe is a man who lives a hallucinatory existence in which real life mixes with his fantasies and obsessions. The paranoia that has taken his soul hostage is the engine of the film. From childhood to death. The particularly delicate theme, the possibility of living and knowing everything from the inside of Hans touch and test the sensitivity of the viewer. No third person who narrates, no external eye that interprets. Only Hans and his visions in a state of hallucination.