Ciarán Fitzgerald

Nineteen-year-old Danny Flynn is imprisoned for his involvement with the I.R.A. in Belfast. He leaves behind his family and his sixteen-year-old girlfriend, Maggie Hamill. Fourteen years later, Danny is released from prison and returns to his old working class neighborhood to resume his life as a boxer.

The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the I.R.A., the U.V.F., and members of his own team.

Based on the true story of the 1981 hunger strike in a British prison, in which IRA prisoner Bobby Sands led a protest against the treatment of IRA prisoners as criminals rather than as prisoners of war. The film focuses on the mothers of two of the strikers, and their struggle to save the lives of their sons.

When a teenaged girl moves to England, with her brothers and parents into the ancient Canterville Hall, she's not at all happy. Especially as there's a ghost and a mysterious re-appearing bloodstain on the hearth. She campaigns to go back home, and her dad, believing the ghost's pranks are Ginny's, is ready to send her back. But then Ginny actually meets the elusive 17th-century Sir Simon de Canterville (not to mention the cute teenaged duke next door), and she sets her hand to the task of freeing Sir Simon from his curse.

Accused of a crime they didn't commit, two city kids and a magical horse are about to become the coolest outlaws ever to ride Into The West.

It is 1977, Dublin rocks to the music of Thin Lizzy and the world is stunned by the death of Elvis Presley. Frankie, caught between acne and adulthood, has just completed his final exams in school. Convinced he will fail, he survives the summer organising a beach party, having lustful thoughts about two girls he believes are unobtainable and fending off the advances from a visiting American family friend, all whilst coping with his oddball family.

A former Irish Republican Army fighter, Gingy McAnally (Anthony Brophy), is reluctant about being called back into service after serving time in prison. He executes the grisly task but ends up captured by a sympathetic British police lieutenant named Ferris (Cary Elwes). The intimidating Chief Inspector of the Belfast Police (Timothy Dalton) convinces Gingy that his best hope is to become an informant and turn in other IRA operatives. As Gingy's marriage unravels under the stress, he is forced to come to terms with the fact that in this war both sides lose. Three men, three political circles, each fighting for their lives, each with their own agenda in the battle for Northern Ireland.

In this historical miniseries created for BBC Northern Ireland, four brothers struggle to survive during the Irish potato famine of the 1840s while facing persecution from an agent (Michael Kitchen) of their indifferent English landlord. Looking on in horror as their primary food source dwindles, the Phelan brothers (portrayed by real-life siblings Joe, Mark, Paul and Stephen McGann) are torn between nonviolent protest and bloody revolt.

A young boy's innocent observations leads the local priest to believe he has borne witness to a manifestation of the Virgin Mary. Set in an idyllic rural Northern Ireland in the 1950's.

Series of single made-for-television dramas.

The Hanging Gale is a four-episode television serial which first aired on RTÉ One and BBC1 in 1995. The series was a British–Irish co-production, made by Little Bird Films for BBC Northern Ireland in association with Raidió Teilifís Éireann, with support from the Irish Film Board. The serial, set in 1846 at the beginning of Ireland's Great Famine, starred the four McGann brothers: Joe McGann, Paul McGann, Mark McGann and Stephen McGann, and was based on an original idea by Joe and Stephen McGann while researching their family's history. The title of the series comes from the term 'hanging gale', the name for a widespread practice in Ireland at the time, where a landlord would allow new tenants a six-month grace period on payment of their rent, with the expectation that the rent owed would be paid when the land's crops were harvested and sold.