Billy De Wolfe

A discarded silk top-hat becomes the focus of a struggle between a washed-up stage magician and a group of schoolchildren, after it magically brings a snowman to life. Realizing that newly-living Frosty will melt in spring unless he takes refuge in a colder climate, the magic snowman and Karen, a young girl whom he befriends, stow away on a freight train headed for the North Pole. Little do they know that the magician is following them, and he wants his hat back!

Stuck with a feeble sports department, college coach Sam Archer (John Amos) faces the ax unless he can reverse the school's athletic fortunes. An African vacation with his assistant (Tim Conway) answers Archer's prayers when he spots the athletically gifted Nanu (Jan-Michael Vincent). Sam counts on Nanu's remarkable abilities to put the team back on the winning track. This upbeat farce boasts an impressive cast of comedians.

Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who can't stay committed to anything in life for very long.

Free to Be…You and Me, a project of the Ms. Foundation for Women, is a record album, and illustrated book first released in November 1972, featuring songs and stories from many current celebrities of the day (credited as "Marlo Thomas and Friends") such as Alan Alda, Rosey Grier, Cicely Tyson, Carol Channing, Michael Jackson, and Diana Ross, among others. An ABC Afterschool Special using poetry, songs, and sketches, followed two years later in March 1974. The basic concept is to encourage a post-60's gender neutrality, while saluting values such as individuality, tolerance, and happiness with one's identity. A major thematic message is that anyone, whether a boy or a girl, can achieve anything.

A student nurse falls in love with a young intern in 1910 Baltimore, but tragedy ensues when he contracts a fatal disease.

Funloving Pearl White, working in a garment sweatshop, gets her big chance when she "opens" for a delayed Shakespeare play...with a comic vaudeville performance. Her brief stage career leads her into those "horrible" moving pictures, where she comes to love the chaotic world of silent movies, becoming queen of the serials. But the consequences of movie stardom may be more than her leading man can take

Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in Manhattan. She doesn't know that her mother is actually a burnt-out cabaret singer with a love for whiskey. When she arrives at the mansion, she is taken in by the two servants who are friends of her mother's. The house actually belongs to Adolph Hubbell, a kind-hearted Broadway producer who also gets drawn into the charade. Hubbell takes a shine to Melinda and agrees to star her in his next show. Melinda also finds romance with a handsome hoofer who's also in the show. All is going well for Melinda except that she wants to see her mother who keeps putting off their reunion.

Dozens of star and character-actor cameos and a message about the Variety Club (a show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.

Washington hostess Sally Adams becomes a Truman-era US ambassador to a European grand duchy.

A 16-year-old tomboy and high school athlete becomes embroiled with the lives around her boyfriend whose conservative father is running for mayor.

In this reworking of "No, No, Nanette," wealthy heiress Nanette Carter bets her uncle $25,000 that she can say "no" to everything for 48 hours. If she wins, she can invest the money in a Broadway show featuring songs written by her beau, and of course, in which she will star. Trouble is, she doesn't realize her uncle's been wiped out by the Stock Market crash.

Three sisters find romance in post-Civil War Indiana.

A young songwriter leaves his Kentucky home to try to make it in New Orleans. Eventually he winds up in New York, where he sells his songs to a music publisher, but refuses to sell his most treasured composition: "Dixie." The film is based on the life of Daniel Decatur Emmett, who wrote the classic song "Dixie."

Russell and Lynn are a pair of college students in the 1920s. They get mixed up with kind-hearted bootlegger Donlevy who helps them get their boy friends back.

A drama critic learns on his wedding day that his beloved maiden aunts are homicidal maniacs, and that insanity runs in his family.

The staff of a record factory drown their sorrows at Duffy's Tavern, while the company owner faces threats of bankruptcy.

In this sequel to Dear Ruth, teenaged Miriam starts a political campaign to nominate Bill Seacroft, her brother-in-law, for state senator in opposition to the local political machine. Unknown to Miriam, said machine nominates her father, Judge Wilkins. As support grows for Bill, the presence of rival candidates under one roof poses problems, especially for Ruth, wife to Bill and daughter of the judge.

Mirian Wilkins, the teenage daughter of Senator Wilkins, starts a Society for the Rehabilitation of Criminals and, without the approval or knowledge of her father, elects him to the position of honorary president. When the family's new gardener, Baxter, turns out to be a notorious ex-convict who was sentenced to prison by Senator Wilkins when he was a judge, Wilkins considers firing him until his daughter points out that would be an unwise decision considering the position her father held on society.

Lt. William Seacroft, on leave from the Italian front, arrives at the New York home of Ruth Wilkins, with whom he has been corresponding. Unknown to both Ruth and Bill, Ruth's younger sister, Miriam, has been writing the letters and signing Ruth's name as part of a program to keep up soldiers' morale. Although Ruth has just gotten engaged to a coworker, she agrees to see Bill and pretend she wrote the letters.

An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.

The Doris Day Show is an American sitcom that was originally broadcast on the CBS network from September 1968 until March 1973, remaining on the air for five seasons and 128 episodes. In addition to showcasing Doris Day, the show is remembered for its many abrupt format changes over the course of its five-year run. It is also remembered for Day's statement, in her autobiography Doris Day: Her Own Story, that her husband Martin Melcher had signed her to do the TV series without her knowledge, a fact she only discovered when Melcher died of heart disease on April 20, 1968. The TV show premiered on Tuesday, September 24, 1968.

The Dick Van Dyke Show centers around the work and home life of television comedy writer Rob Petrie. The plots generally revolve around problems at work, where Rob got into various comedic jams with fellow writers Buddy Sorrell, Sally Rogers and producer Mel Cooley.

Burke's Law is an American detective series that ran on ABC from 1963 to 1965 and was revived on CBS in the 1990s. The show starred Gene Barry as Amos Burke, millionaire captain of Los Angeles police homicide division, who was chauffeured around to solve crimes in his Rolls-Royce Silver Cloud II.

That Girl is an American sitcom that ran on ABC from 1966 to 1971. It stars Marlo Thomas as the title character Ann Marie, an aspiring actress, who moves from her hometown of Brewster, New York to try to make it big in New York City. Ann has to take a number of offbeat "temp" jobs to support herself in between her various auditions and bit parts. Ted Bessell played her boyfriend Donald Hollinger, a writer for Newsview Magazine; Lew Parker and Rosemary DeCamp played Lew Marie and Helen Marie, her concerned parents. Bernie Kopell, Ruth Buzzi and Reva Rose played Ann and Donald's friends. That Girl was developed by writers Bill Persky and Sam Denoff, who had served as head writers on The Dick Van Dyke Show earlier in the 1960s.

In this flirty '60s sitcom, the action unfolds every day at a small Los Angeles radio station where Larry and Dave work as morning show DJs. While Larry is a swinging ladies' man with his eye on every woman on the block, Dave is the bumbling married guy who is just trying to stay out of trouble with his wife.

Johnny Midnight is an American crime drama that aired for one season in syndicated from January to December 1960. The series stars Edmond O'Brien as the title character.

An audit by the Internal Revenue Service about overdue taxes reveals that the supposedly incredibly wealthy Pruitts family is in fact broke. Presumably causing the economic depression, an improbably charitable IRS allows them to continue living in their mansion and maintaining the pretensions of great wealth.

The Debbie Reynolds Show is an American situation comedy which aired on the NBC television network during the 1969-70 television season. The series was produced by Filmways, but the distribution rights are currently owned by Universal Media Studios through its ownership of NBC Productions.

Rango is an American Western situation comedy starring comedian Tim Conway which was broadcast in the United States on the ABC television network in 1967. In Rango, Conway played an inept Texas Ranger who had been assigned to the quietest post the Rangers had, Deep Wells, so as to keep him from creating unnecessary trouble. The Rangers apparently had wanted him removed from the service altogether but were prevented from doing so by the fact that his father was their commander. But he seemed to bring his own trouble with him, as crime suddenly returned to a place that had seen very little of it the prior 20 years. Also appearing in Rango was the American Indian character Pink Cloud, an overly-assimilated Indian who was very fond of the ways of the whites and whose command of the English language was generally better than theirs. The theme song co-written by Earle Hagen and sung by Frankie Laine. The series ran for less than a year. TV Guide ranked the series number 47 on its TV Guide's 50 Worst Shows of All Time list in 2002.