Randy Valdes

In a crime-plagued neighborhood near Miami, brutal, bare-knuckled backyard fights give young men a chance to earn money -- and self-respect.

A print-shop worker finds out the hard way that if you let it, guilt, will kill you.

A recent Cuban refugee arrival, Raul, is hunting for mangoes he can hustle to local bodegas for some cash when he inadvertently becomes octogenarian Cuban lady prey.

Marlie, a dutiful assistant who dreams of being the theater's next great actor, struggles to wrangle a flamboyant cast of characters for a closing performance of Las Amargas Lagrimas de Petra von Kant, their adaptation of Fassbinder's German text. Dealing with Margo, the theater's volatile director, is always challenging, but it's critically so when Marlie has to tell her that the main electric panel has collapsed just two hours before show and she had to call the only electrician who could fix the archaic apparatus: Frank, Margo's ex-husband.

An unlucky man’s problems immediately dissolve when he gets a bottle of “Spray Away” – that is, until he becomes a lead suspect in multiple disappearances.