Caroline Luft

Jackie Kimball is a normal 17-year-old girl - except that for as long as she can remember, she's been in love with her older brother Matthew. The two siblings rely on each other for friendship and support, but Matthew doesn't share his sister's feelings. When Matthew departs for college, Jackie sets out to meet other boys, and for the first time, must contend with life on her own.

Twentysomething Brooklynites Mara and Jo have been close friends since middle school. Gradually, it becomes apparent that the increasingly unstable Jo has troubles that may be the result of substance abuse, or an even deeper problem. Over the course of a decade, the more stable Mara tries to help.

A young man disappears amid talk of violence and demagoguery, leaving behind an obscure cache of letters, postcards, and notebooks.

An only child's meditative, impressionistic account of an American family's rise and fall over two decades.

14 years after Dan Sallitt’s The Unspeakable Act (2012), we catch up with Jackie, now a married therapist-in-training who attempts to resolve issues of sexual dysfunction with her husband before deciding to visit her brother and newly pregnant sister-in-law.

In sound, a man recounts his on-foot migration across the United States of America. On screen, candid photographs & findings of terrains, settlements, and conditions from the present moment. Together, testimony and documentation construct a damning series of events from within domestic borders, but is it all to be believed?

An American director, hired by German television to make a film about 9/11, re-stages a controversial photograph taken along the Brooklyn waterfront soon after the collapse of the World Trade Center.

An American art collector’s estate plans to build a glass house that will permanently memorialize the collector’s many prints and paintings. The spot selected—several acres of undeveloped parkland in upstate New York—was the site of a young woman’s murder, the circumstances of which have been exploited for political purposes by the founder of a far-right populist party called National Advance.

This hypnotic work of contemporary cinematic modernism—something like Robert Bresson in Park Slope, but not exactly—concerns a young man apartment-sitting for friends as talk of a plane crash ominously lingers in the air.

In this dark, surreal comedy, Cindy Rossberg has apparently killed her fiance on her wedding day. Her psychiatrist encourages her to move forward with her life. However, as she attempts to do so she finds reality too difficult to contend with as she is bound to the events of the past. As she tries to sort things out for herself, Cindy spirals into a wacky world of bizarre situations that become increasingly influenced by a murder mystery she is writing. In the end, Cindy discovers that she must act as her own emancipator in order to free herself from the role she thinks she is expected to play.

A seminarian embarks on a bizarre and horrifying quest that will end in a blood-bath of insanity, cannibalism, and witchcraft.

Caterina was born in South America but lives in New York. Her willingness to make close emotional connections to others is as much of a burden as it is a gift.

Four adults are detained in their apartments with only each other and a computer for online company. They each come from a different class with differing views but they all have one defining purpose to understand why they are really being held hostage in their own homes. The AI refuses to reveal the reason.

An applauded New York intellectual hires a young archivist to whitewash her late psychologist father's reputation by eliminating a forbidding, potentially incriminating paper trail.