Susan Gourley

A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.

Two little men float into the deep blue sky, tied to balloons. But then each decides the sky belongs to him. This film was made as part of the fourth edition of the NFB's Hothouse apprenticeship.

Allegory on the creation of the universe using liquid paint in motion. Oio is a truly unique experience where liquid paint and the cinematographic medium come together to create a painting in motion: a cinepainting! Jets of paint catapulted into the air become perceptible to the human eye through high-speed camera and computer. A bold technical device that allowed Simon Goulet to create a remarkable piece of art, highly acclaimed throughout the world for its "extraordinary technical inventiveness that takes the image and music on an emotional, dizzying trip toward great creativity" (International Federation of Film Critics, Annecy, 2003). Oio needed eleven years to be completed.

When an elder in the community offers him a small piece of pipestone, Maq carves a little person out of it. Proud of his work, the boy wants to impress his grandfather and journeys through the woods to find him. Along the path Maq meets a curious traveller named Mi’gmwesu. Together they share stories, medicine, laughter and song. Maq begins to care less about making a good impression and more about sharing the knowledge and spirit he's found through his creation. It is only when Maq joins his grandfather that he understands who Mi’gmwesu really is.

Flawed is nothing less than a beautiful gift from Andrea Dorfman's vivid imagination, a charming little film about very big ideas. Dorfman has the uncanny ability to transform the intensely personal into the wisely universal. She deftly traces her encounter with a potential romantic partner, questioning her attraction and the uneasy possibility of love. But, ultimately, Flawed is less about whether girl can get along with boy than whether girl can accept herself, imperfections and all. This film is both an exquisite tribute to the art of animation and a loving homage to storyboarding, a time-honoured way of rendering scenes while pointing the way to the dramatic arc of the tale. (NFB)

Partly figurative, partly abstract, Drux Flux is an animation film of fast-flowing images showing modern people crushed by industry. Inspired by One-Dimensional Man by the philosopher Herbert Marcus…

A descent into the maelstrom of anguish that tormented Arthur Lipsett, a famed Canadian experimental filmmaker who died at 49. A diary transmuted into a clash of images and sounds charting a prodigious frenzy of creation, a tableau depicting an artist’s dizzying descent into depression and madness: with LIPSETT DIARIES, Theodore Ushev renews his filmmaking aesthetic and explores what happens when genius is on a first-name basis with madness.

Exploration of the connections between sex, love and technology.

Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.

Madame Tutli-Putli boards the Night Train, weighed down with all her earthly possessions and the ghosts of her past. She travels alone, facing both the kindness and menace of strangers. As day descends into dark, she finds herself caught up in a desperate metaphysical adventure.

Emile is an unhappy little vampire, doing a job he detests, in a world plunged into perpetual gloom. He serves a despotic mistress who loathes wrinkles, in the most extreme way.

An informal look into the personalities and frenzy behind the second edition of the NFB Animation Hothouse. The six Hothouse filmmakers and their NFB collaborators comment on the nature of auteur animation, the place and role of the NFB in that world and the excitement and fear of making a first professional film.

Diane Obomsawin's whimsical animated short follows medicine man Walk-in-the-forest on a walk in the woods that leads to the discovery of an intriguing secret world.

The story of a young Mi'kmaq girl whose name means "the light from the dawn."

A rooster has his last biscuit for breakfast and goes grocery shopping. A pig prepares her breakfast (potato peelings, with the potatoes thrown in the trash) and discovers she needs more milk. Their paths cross, a lemon falls into the sewer, and both lives are changed.

This Oscar-nominated animated short tells the story of a dapper young remittance man who is sent from England to Alberta to attempt ranching in 1909.

In Newfoundland filmmaker Mary Lewis' live action/animation hybrid short film, a talking goldfish tells us the poignant story of his best friend, Sparky the dog, and Sparky's owner, a young girl suffering from a serious illness. The dog lords an unusual reign on a harbour city, but his bond to the girl is tested when her illness takes a dark turn.

Inside the Hothouse takes an informal look at this NFB experiment, Animation Hothouse, at its halfway point. In a handheld, gritty style, Inside the Hothouse gives the viewer a glimpse into the project and the participants' perspectives.

A woman ponders over the strange coincidences that made her forefathers and -mothers meet and create the premises for her becoming the person that she is.

This short documentary is a moving tribute to Richard Cardinal, a Métis adolescent who committed suicide in 1984. Taken from his home at the age of 4 due to family problems, he spent the rest of his 17 short years moving in and out of 28 foster homes, group homes and shelters in Alberta. A sensitive, articulate young man, Richard Cardinal left behind a diary upon which this film is based.

This film explores the distant relationship between an elderly amateur musician, the woman who lives in the apartment above him, and the leaky bathtub that is bothering them both.

A look at the Mau Mau Rebellion of the 1950s as experienced by filmmaker Donald McWilliams.

Combining figurative abstraction with magic realism, this animated short depicts a world in which whales fall out of the sky and fish turn into balloons. It is a black and white evocation of the real world, transformed by the director's special sense of whimsy. With bold lines reminiscent of the stark simplicity of Inuit art, this cautionary tale is a reminder of the interconnectedness of all things. We are all affected by the fate of the Arctic, which each year is disappearing a little farther into the ocean.

An allegory of mankind heading for disaster, this animated short is a tragic vision inspired by the 4th movement of Mussorgsky’s Pictures at an Exhibition. Drawing on the composer’s brilliant ability to evoke work and labour in his music, animator Patrick Bouchard brings earth to life through animated clay sculptures, creating a tactile nightmare in which man is his own slave driver.