Ethel Merman

An ex-fighter pilot forced to take over the controls of an airliner when the flight crew succumbs to food poisoning.

A group of strangers come across a man dying after a car crash who proceeds to tell them about the $350,000 he buried in California. What follows is the madcap adventures of those strangers as each attempts to claim the prize for himself.

Molly and Terry Donahue, plus their three children, are The Five Donahues. Youngest son Tim meets hat-check girl Vicky and the family act begins to fall apart.

Winterbolt is trying to make the North Pole his evil wonderland, and it is up to Frosty the Snowman, Rudolph the Red-Nosed Reindeer and others to stop him.

Bandleader and manager discover skater in Norway. They become rivals as she returns with them to America.

A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of theatre and film appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance.

Struggling artist fakes his own death so his works will increase in value.

A would-be filmmaker and actress shake up the industry with a trick dog who gets discovered by a studio bus driver in the 1920s.

Classical violinist Roger Grant disappoints his family and teacher when he organizes a jazz band, but he and the band become successful. Roger falls in love with the band's singer, Stella, but his reluctance to lose her leads him to thwart her efforts to become a solo star. When the World War separates them in 1917, Stella marries Roger's best friend and, when Roger returns home after the war, an important concert at Carnegie Hall brings the corners of the romantic triangle together.

Dorothy and Toto return to Oz to find the Scarecrow ruling the Emerald City. Unfortunately for the new overseer, the wicked Mombi is conspiring to take over the city. With the help of the Tin Woodsman, the Cowardly Lion and other familiar friends, Dorothy sets out to save Oz.

A musical comedy about a Brooklyn boy who inherits a fortune from his archaeologist father, but has to go to Egypt to claim it.

Fleischer Studios 'Screen Song' with Ethel Merman singing the songs.

Washington hostess Sally Adams becomes a Truman-era US ambassador to a European grand duchy.

A religious sect, cheated by an adventurer, wants to occupy an African territory not knowing that it is inhabited by a bloodthirsty tribe. Luckily Tarzan intervenes.

A defendant pleads her case in court and promises to stay out of trouble from now on through singing.

This 1967 TV Movie featured the cast of the recent Lincoln Center and Broadway Revival of the classic musical. Starring Ethel Merman, who recreated her original 1946 role as sharp shooter Annie Oakley, the telecast co-starred Bruce Yarnell, Jerry Orbach and Benay Venuta. Running only 90 minutes and with no studio audience, this TV version was the most popular single musical special of the season for NBC. It raked in a total of 60 million viewers. The special retains a certain notoriety as a "lost" program. Seemingly the only surviving videotapes were erased at some point, with no copies found in the collections of Merman or composer Irving Berlin. A complete audio recording captured by a fan off the television can be sourced for listening online.

Beautiful high society type Doris Worthington is entertaining guests on her yacht in the Pacific when it hits a reef and sinks. She makes her way to an island with the help of singing sailor Stephen Jones. Her friend Edith, Uncle Hubert, and Princes Michael and Alexander make it to the same island but all prove to be useless in the art of survival. The sailor is the only one with the practical knowhow to survive but Doris and the others snub his leadership offer. That is until he starts a clam bake and wafts the fumes in their starving faces. The group gradually gives into his leadership, the only question now is if Doris will give into his charms.

A young man falls in love with a beautiful blonde. When he sees her being forced onto a luxury liner, he decides to follow and rescue her. However, he discovers that she is an English heiress who ran away from home and is now being returned to England. He also discovers that his boss is on the ship. To avoid discovery, he disguises himself as the gangster accomplice of a minister, who is actually a gangster on the run from the law.

Meek Eddie Pink becomes manager of an amusement park beset by mobsters.

The Ritz Brothers go to the race track. They raise training end entrance money in a wrestling match and help a young man train the horse of his fiancée.

Two-bit radio station owner Spud Miller doubles as the station's sole announcer. On the verge of bankruptcy, Spud is receptive to the wacky notions of George and Gracie, who've just invented a television device that can pick up and transmit any signal, any time, anywhere.

On an ocean liner, a nightclub singer tries to help a fellow American romance an English heiress who is being forced to return home to marry a man she doesn't love. The American must avoid his boss who is traveling on the same vessel and disguises himself as a gangster traveling with a minister who is, in fact, a disguised gangster on the lam.

First of three programs about musical theatre hosted by writer-composer-lyricist Sylvia Fine.

Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). In creating these new sequences, Kremer comes to recognize that the exercise effortlessly draws cultural and historical parallels in twentieth-century American life that echo in present-day America. The editorial mashups weave a tangled web of social and cinematic history that root our notions of Americana in the mythology of the desert. As Kremer expounds in his narration on these often astonishing and sometimes shocking associations, his very personal ties to the subject matter become manifest.

Passengers who search for romantic nights aboard a beautiful ship travelling to tropical or mysterious countries, decide to pass their vacation aboard the "Love Boat", where Gopher, Dr. Bricker, Isaac, Julie, and Captain Stubing try their best to please them, and sometimes help them fall in love. Things are not always so easy, but in the end, love wins.

The Lucy Show is an American sitcom that aired on CBS from 1962–68. It was Lucille Ball's follow-up to I Love Lucy. A significant change in cast and premise for the 1965–66 season divides the program into two distinct eras; aside from Ball, only Gale Gordon, who joined the program for its second season, remained. For the first three seasons, Vivian Vance was the co-star. The earliest scripts were entitled The Lucille Ball Show, but when this title was declined, producers thought of calling the show This Is Lucy or The New Adventures of Lucy, before deciding on the title The Lucy Show. Ball won consecutive Emmy Awards as Outstanding Lead Actress in a Comedy Series for the series' final two seasons, 1966–67 and 1967–68.

Wealthy entrepreneur Bruce Wayne and his ward Dick Grayson lead a double life: they are actually crime fighting duo Batman and Robin. A secret Batpole in the Wayne mansion leads to the Batcave, where Police Commissioner Gordon often calls with the latest emergency threatening Gotham City. Racing to the scene of the crime in the Batmobile, Batman and Robin must (with the help of their trusty Bat-utility-belt) thwart the efforts of a variety of master criminals, including The Riddler, The Joker, Catwoman, and The Penguin.

The Red Skelton Show is an American variety show that was a television staple for two decades, from 1951 to 1971. It was second to Gunsmoke and third to The Ed Sullivan Show in the ratings during that time. Skelton, who had previously been a radio star, had appeared in several motion pictures as well. Although his television series is largely associated with CBS, where it appeared for more than fifteen years, it actually began and ended on NBC. During its run, the program received three Emmy Awards, for Skelton as best comedian and the program as best comedy show during its initial season, and an award for comedy writing in 1961.

Tarzan is a series that aired on NBC from 1966 – 1968. The series portrayed Tarzan as a well-educated character, one who, tired of civilization, had returned to the jungle where he had been raised. The show retained many of the trappings of the classic movie series, including Cheeta, while excluding other elements, such as Jane, as part of the "new look" for the fabled apeman that producer Sy Weintraub had introduced in previous motion pictures starring Gordon Scott, Jock Mahoney, and Mike Henry. CBS aired repeat episodes the program during the summer of 1969.

The United States Steel Hour is an anthology series which brought hour-long dramas to television from 1953 to 1963. The television series and the radio program that preceded it were both sponsored by the United States Steel Corporation.

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.