Éric Falardeau

Two men have been waiting many years to see each other again. Their destinies are linked to a mysterious Super 8MM film roll. Thus begins a one-way journey into their past.

ANA is: a) An investigation of a cyber-sect linked to the disappearances of several women online. b) A moodboard of the aesthetization of self-destruction. c) A found footage documentary about today's subcultures.

Bruised from a night of rough sex, a young woman is shocked to find that her body, rather than healing itself, has inexplicably begun to rot. Swept up in the strange sensual experiences brought on by her slowly decaying form, she tries desperately to cling to her new existence — even as the putrid meat sack that was once her young body begins to literally fall off her bones...

A man is confronted with his purgatory.

A man silently consumed by melancholy after breaking up with his ex-girlfriend begins to watch her through her window.

A man breaks into a woman's home to murder her.

A man undergoes a ritual in which he is possessed by three lustful, witchy women of decidedly supernatural pedigree. After his acclaimed Thanatomorphose, genre filmmaker Éric Falardeau is both behind and before the camera in this sensory extravaganza, somewhere between an occult hallucination and a self-portrait of conflicted masculinity, that serves up a heady mix of horror, poetry and unbridled eroticism. A tribute to the magic of Méliès, the early American avant-garde and underground film (think: Kenneth Anger), Asmodeus renders bodies and fluids transcendent through its use of textured black-and-white Super 8 and in-camera special effects. A cinematic memento mori that’s at once carnal and otherworldly.