Stéphane Jourdain

Céline arrives in Armenia for the first time to legalize the death of Arto, her husband. She discovers that he has lied to her, that he fought in the war, usurped his identity, and that his former friends consider him a deserter.

In 2019, the director Leos Carax proposes to Estelle Charlier and Romuald Collinet to design, make and animate "Annette", the puppet of his new film. This one will be the child of the couple Marion Cotillard and Adam Driver. Propelled into the world of cinema, begins for this charismatic duo a unique and singular adventure in their career as puppeteers. Faced with the demands of the filmmaker, the impossible, they are held.

Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.

Its light, its smoky bars, its vacant land: the characters that we meet here treasure different aspects of Berlin. Vincent Dieutre puts faces and voices on some of the many artists who have settled there since the collapse of the Wall. Questioning each one about their arrival and possible departure, he depicts how Berlin has become part of the personal stories that have, in turn, been infused with a city’s history. What each artist recounts with their own words and sensitivity is also what the city has taught them – the vocabulary of the sentiments in German, the strength to live in the cold or in precarious conditions. Like a playful wink to the tourist guide format, the filmmaker travels from district to district.

Al Moon lives a solitary life on the territory of the Yurok nation in California. Surrounded by violence and ecological threats affecting his people, buried anxieties from his time in Vietnam now begin to resurface. Driven by an urge to confront his past, Al Moon embarks on a cross-country journey, moving closer to uncovering a truth that has haunted him for decades.

Hailing from Mohammedia, Tunisia, the film documents twelve years in the life of Mehrez. A gifted dancer and actor, but also irresistibly addicted to gambling and horse races, he struggles on a daily basis with himself and the bewildering contradictions of his country. In his unstoppable quest for truthful emotions, Mehrez defies all rules.

Armenia and Azerbaijan are engaged in a multi-secular conflict. A war breaks out again. In Stepanakert, capital of Nagorno-Karabakh, men are at the front, women hide in the cellars, director Silva Khnkanosian sets out to find them and keeps a logbook. Life is organized under the bombs; women follow the war on the radio or checking their phones. No one sees defeat as an option. Yet after 44 days of battles, radio announces the capitulation of Armenia. We must leave.