Márk Zala

After the World War I, enthusiastic young people found the intellectual group of Hungarian Communist Party. Their aim is to propagate the communist ideology to the people and get the workers on their side. They have fierce discussions on the new ideas, though their movement is not very successful. They clash with their opposition, attempt to lead people to the Red Army, but without success.

Peter Gothar films give a sharp, uncensored view of the society. This film is no different. The plot is rather simple: a family goes to vacation with the usual stress. Then on the vacation the wife gets a strange kind of sickness and they go back to Budapest for a cure. While the wife is in the hospital, the husband visits his family. This is quite banal. However the scenario was written by Peter Esterhazy, one of the most influential contemporary writers in Hungary. His style uses a lot of surrealism but in a way that profoundly illuminates the reality. In this film, the reality is an atomized society where the so-called communist ideals are nowhere so everyday people are fully disoriented.

Set in the 1890s on the Hungarian plains, a group of farm workers go on strike in which they face harsh reprisals and the reality of revolt, oppression, morality and violence.

Savanyú and his friend work at a plant. After the monotonous shifts they engage in the pleasures of the afternoon and the night, i.e. parties and concerts. Savanyú dates Juli, they are already engaged. The young men live as sub-tenants, the young women in workers' hostels. None of these places are suited for spending time together. They are in need of an apartment. Out of the ruinous apartment which they lay siege on, however, they are sent away by the otherwise friendly policeman. At a concert held in the Park of Youth, Juli gets to know Géza. They flirt, then go to the country with a pop-group. Savanyú and his friends follow them. A minor fight cools the atmosphere.

Two actors wandered from house to house in the countryside in the roles of the photographer and the retoucher business man offering their photographic services to the people.

Allegory of the suppression of the 1919 revolution and the advent of fascism in Hungary; in the countryside, a unit of the revolutionary army spares the life of father Vargha, a fanatical priest. He comes back and leads massacres. A new force, represented by Feher, apparently avenges the people, but only to impose a different, more refined and effective kind of repression.

After the breakup of the Austro-Hungarian Empire, a young Hungarian, wanted by the police for political crimes, escapes to just this side of the Austrian border. When he discovers that his escape contact has been shot, he disguises himself as a woman and, posing as a maid, takes refuge at a tuberculosis sanatorium. He lives there as a woman for the entire winter before resuming his journey in the spring.

The film take place in Budapest, in the end of The World War II, telling the story of a young Communist who escaped from prison. The boy tries to revitalise his contact with the movement, but he is told to be quiet and wait.