Santiago Palavecino

Delfina returns from New York to a small riverside town in the province of Buenos Aires. There she visits a tomb of an older woman and one of a younger woman, named Julia, who is identical to her.

A film about the Argentine opera

Sebastián Pagani, a young film director, returns to his hometown to film a story of Haroldo Conti. There he expected a ghost from the past: recently, a childhood friend just committed suicide in mysterious circumstances. Pagani gets to know details about his death only multiply the enigmas. Slowly, he begins to become disenchanted with their own project to become more involved in research on the last day of the suicide. But towards the end, both concerns come together in unexpected ways. The Turn is a sad irony about memory and identity

Taking a breather from the crisis of her marriage, a surgeon named Celina visits the country house of an old friend who she hasn't seen since their university days. When she gets there, she realizes that something is going on with Paula, her friend's step daughter. Soon she learns that Paula attempted suicide, but Celina is in no shape to help anyone, because she is fleeing a dark secret of her own and has come to the worst place of all possible places to save herself. In the limbo of this hellish little town, her ghosts are reborn, infecting everyone around her...

Laura is pregnant, but she doesn't want to have that child. Juan, her veterinarian husband, on the other hand, does. Laura seems obsessed with the piano lessons she gives to Sol, a young student in whom she has vague hopes: perhaps to see her pursue a career she'd given up on, or even the chance to escape from a town that's suffocating her.