Raymond Legrand

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

In the kingdom of animals, Master Fox is used to trick and fool everyone. So the King, the Lion, receives more and more complaints about him. He orders that Master Fox is arrested and brought to him.

Matador Ricardo wants to end his career. His manager and his mistress manage to dissuade him and get him to sign two contracts.

Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.

A famous comedian decrees that his fortune will go to whoever collects as many pop star autographs as quickly as possible. When he dies, two cousins ​​embark on the race for signatures.

Marcel Pagnol's adaptation of his own novel Manon des sources, the story of a shepherdess who exacts her revenge on the townsfolk she blames for killing her father, in two parts: Manon des sources and Ugolin.

A small village is torn apart by a quarrel between the baker and the italian grocery tenant, mother of a pregnant young girl. She accuses the baker's son, doing his military service in Algeria, to be the father of the would be child. Offended, the baker refuses to deliver bread to the villagers standing on the mother's side.

At Christmastime, the love affairs of five clothing models working for Pierre Roussel, a renowned Paris fashion designer. Marlène hesitates between two suitors. Blanche, who loves Jean, Roussel's son, wants him to talk to his father about their relationship. Catherine learns that her lover has a wife and two kids. Jeannette throws herself into the arms of an Oriental prince. In despair the fifth one attempts to commit suicide...