Leo Sjöman

The film follows Finnish army machine gun company in Continuation War against Soviet Union, 1941–1944. Based on Väinö Linna's best selling novel Tuntematon Sotilas (The Unknown Soldier) and the novel's uncensored version, Sotaromaani (A War Novel).

The reception for Finland's Independence Day is rudely interrupted when the presidential palace is attacked and the state leadership is taken hostage. Max Tanner of the Security Police is appointed as a negotiator in the hostage crisis, that unfolds as part of a bigger plan to undermine European security.

Actress Roosa Heinonen is heading for her first lead role in a historical drama film called The Pastor. Arriving to the film set, she confronts an unpleasant surprise.

Vares gets a desperate phone call from his friend Kyypakkaus, who needs rescuing. While Vares rescues his friend, the daughter of a private detective's stepfamily is kidnapped. Vares is forced to play for higher stakes than ever before. Events become intertwined with a mysterious sex cult and an underworld showdown. Who can Jussi Vares finally save?

On April 13th 1976, a devastating munitions factory accident shook the town of Lapua, Finland. Hundreds of kilograms of gunpowder ignited, causing an explosion that took the lives of 40 workers. Lapua 1976 tells a story of love, life, perseverance, grief and hope in the face of unbelievable calamity.

The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.

Force of Habit follows the lives of various women throughout one day. Hilla is having a romantic vacation, Emmi is throwing a house party, and Milja is on her way to school when they’re approached by a stranger and things take an unexpected turn. At the same time, Emppu, a young actress, is conflicted as she rehearses for the biggest role of her life. Elsewhere, Aleksi, an inexperienced prosecutor, is preparing for his first court case in haste; Niina, the victim of the crime, has been waiting years to see her case tried. Miia throws a company party, and the mood dramatically changes when her colleague Katja opens up about their boss coming on to her. Miia and a couple of her closest colleagues try to resolve the situation, but how do the others react?

A raped women meets the authorities.