Lotti Huber

After World War I, a war hero returns to Berlin to find that there's no place for him--he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.

A fictionalized account about the lurid lives of a group of eccentric cabaret artists who have come from America to Berlin looking for social acceptance and a place to give full reign to their creative nature.

Hans Castorp, fresh from university and about to become a civil engineer, comes to the Sanatorium Berghof in the Swiss Alps to visit his cousin Joachim, an army officer, who is recovering there from tuberculosis. Intending to remain at the Berghof for three weeks, Hans is gradually contaminated by the morbid atmosphere pervading the place. Wishing very much to be considered a patient like the others, he achieves his ends and stays in the sanatorium for ...seven years. During this time, he has enough time to take part in the furious philosophical debates pitting against each other Settembrini, a secular humanist, and Naphta, a totalitarian Jesuit. And to fall in love with the beautiful but enigmatic Clawdia Chauchat. When he is finally discharged in 1914 - along with all the other patients - it is only to plunge into the horrors of World War I.

A trip through Lotti's horny life -- everything from her Aryan lover and her stay in a concentration camp while he is killed for their forbidden love -- is a fascinating look at this remarkable woman through the eyes and viewfinder of Rosa von Praunheim.

A film about drug addiction and prostitution in Berlin that focuses exclusively on "show values" and mixes its completely implausible story with plot elements from relevant sex films. A lurid mixture of schoolgirl report and smear melodrama from the Karl Spiehs smithy.

A Berlin woman in her early thirties is trying to handle her psychological problems and childhood trauma with the help of her psychiatrist. She is ashamed and overwhelmed by her masochistic sex fantasies.

A satire about corruption, about big and small crimes: The noble clochard Maxwell, the unsuccessful film producer Harry and the unemployed actress Wally are anything but kissed by luck. But that changes when the three get in the way of a corporation, who, with the help of bribed politicians, tries.

Shot in a neo-expressionist style, the film is a satire on cults of any kind. The plot follows Frankie and Hannes, a young gay couple living in Berlin. One is studying art and the other medicine. Their happy life is disrupted when Frankie attends a lecture and quickly becomes involved in a sinister cult operating as a self-help group called “Optimal Optimism”. Madame C, a former Nazi party member, is the leader of Optimal Optimism. When the cult members discovers that Frankie is gay, he is repeatedly raped by both men and women of the group. Hannes must find a way to rescue him.