Marianne Enzensberger

Turned while visiting New York, down-on-her-luck Neue Deutsche Welle vampire Sylvana struggles to get by in 1980s West Berlin when she realizes none of her friends want to be bitten.

The 12 year old Ina struggle to become a great pianist. Success depends on the music competition "Ein Herz für Mozart". Ina is sent by her mother's command to piano lessons. The piano teacher Holger produces in his free time experimental music from sound collages, but can not prevail with his works in the professional music business. Ina takes a liking to the sound collages of Holger and flees from her domineering mother to him.

Shot in a neo-expressionist style, the film is a satire on cults of any kind. The plot follows Frankie and Hannes, a young gay couple living in Berlin. One is studying art and the other medicine. Their happy life is disrupted when Frankie attends a lecture and quickly becomes involved in a sinister cult operating as a self-help group called “Optimal Optimism”. Madame C, a former Nazi party member, is the leader of Optimal Optimism. When the cult members discovers that Frankie is gay, he is repeatedly raped by both men and women of the group. Hannes must find a way to rescue him.

In modern-day Berlin (1987), Frau Kutowski goes insane, believing herself to be the (real-life) notorious Anita Berber, a nude art dancer/drug addict/scandalous figure of post-WWI Berlin. (Berber died of tuberculosis in 1928, having achieved significant success and recognition throughout the dance world.) Frau Kutowski is placed in a mental hospital, where in her own mind she acts out Berber's final days, including in her fantasies the hospital's staff and patients, to represent Anita's friends and associates.