Karim Saidi

During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.

Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.

When his wife Kate is kidnapped by terrorists for ransom, veteran war hero Brad Paxton races against the clock to rescue her in a daring and deadly operation that pits him against powerful and dark forces.

Just when he is about to move in with his girlfriend, Michel is overcome with anxiety. To avoid commitment, he'll convince himself he's homosexual.

Shattered by the loss of her child, Nyla Jayde, a brilliant criminal defense attorney, takes on a case involving a 14th century Moroccan legend, a vengeful spirit named Kandisha.

BurnOut is a film about the grinding down of hope by the contradictory values and morals of Moroccan society and how a mere chance encounter can throw everything that is taken for granted as normal and correct into question once one has glimpsed the possibility of the love and companionship that lies just beyond the walls of the Moroccan society. A shoe shiner Ayoub, a bourgeois couple, Jad and Ines in a loveless marriage, a wealthy but ailing art collector, and a young medical student Aida moonlighting as an escort, each interaction forever changing them and setting them on an irreversible trajectory towards catharsis or total collapse.

A thief and a priest end up magically transported in the year 0's Palestine, where they'll have to make sure that the Nativity will follow its course.

An outlaw thief flees to a desert village where he is shunned and jailed. He soon meets a tribal chief who reveals his powerful heroism.

Five people with contrasting profiles compete for a position within Matsuika, a multinational corporation recently set up in Morocco. Following an interview with the C.E.O., they are advised to undertake a mysterious test in a secret location. It will determine who will hold the position. All five applicants accept and are led into a distressing bus with no windows. After endless driving, an accident occurs with the candidates trapped in the wreck. Thanks to a joint effort, they manage to evacuate the bus only to find themselves lost in the desert with their driver nowhere to be found. They start to wander, questioning the nature of the accident. Is it part of the test? Despite their will to survive and an urge to find clues, mirages of their most intimate fears begin to haunt them.

Edith, a 45-year-old textile factory worker, sees her life turned upside down by the company’s downsizing measures. Estranged from her son and without any other ties, rather than go into unemployment, she decides to leave her life behind and follow her work at the factory which has been relocated in Morocco.

A couple arranges to meet on a street corner late at night where an unexpected sequence of events occurs.

The film counts the return trip of thirty Moroccan immigrants from their country of emigration to their home country in a bus. It tells the several events happening among a group of people forced to coexist in a single, narrow space despite the differences of their worlds and their cultural backgrounds.

Como El Viento is a penetrating and realistic drama which threads the universal feelings of fear, hope and loss in a tense and dramatic two-hour ferry crossing between Morocco and Spain.