Györgyi Tarján

Istvan Varju a.k.a. Kanya is a track driver. He drives alone on the roads and listens to the radio. We're In the middle of seventies, the radio broadcasts hungarian beat music. He is convinced that interesting and significant events in the life happen on the roads, so we should go, go and go in order not to miss something.

One morning, the caretaker of the student hostel of the University of Horticulture finds Citrom Flóra and Bohus Tamás, by the purest accident, in one bed together. Both are dismissed from university. During the appealing procedures they fall in love with each other.

A young woman from a progressive middle-class family moves to Shanghai with her husband Rolf in the mid-1930s. Although she has a child, she is not prepared to retreat into private life. She meets Dr. Richard Sorge and decides to become a scout. After training near Moscow - she is given the cover name Sonja - she is sent to Manchuria on her first assignment with her comrade Ernst. She has an affair with Ernst and has a child with him. A new assignment that takes her to Poland separates her from Ernst. She is awarded the Order of the Red Banner in Moscow for her work. She then goes to Switzerland and radios information about the impending war to the Soviet Union. She meets Rolf and Ernst, who are on an assignment in the Far East. Sonja marries an Englishman to avoid being extradited to Germany.

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

A young girl moves in with her estranged father, her new stepmother, and two teenaged stepsisters. Ellen soon discovers that her father and stepmother are hopeless alcoholics with a severe streak of violence.

Director Sandor Simo based this film on his recollections of a period in his father's life just after World War II. In the film, Janos Torok is a chemist and an entrepreneur With enormous enthusiasm, he gets loans to purchase a small chemical plant and begins experiments to create innovative products, such as hormones. Meanwhile, the communist party has come to dominate Hungarian life in such a way that his activities are viewed as little more than criminal. He is hauled away to a prison camp, but even then his letters home are full of boundless optimism and his ideas for further experiments.

Zsadányi flees from the authorities with his goddaughter, Bankós Mari, and they escape into the forest. The film then skips ahead thirty-fold years: Zsadány and Mari are now lovers, with the sound of war in the background halting their romance. The old friends of Zsadányi have joined with the Nazis, and the landowner living with his peasants in a socialist community grows distant from them. Zsadányi is held responsible for political problems in the country, and will pay with his life.