Klaus Florian Vogt

Acting

Klaus Florian Vogt

Born April 12, 1970 · Heide, Germany (age 56)

No biography available.

Known For

ParsifalParsifal · 2016
Parsifal
2016
MovieDramaMusic
German composer Richard Wagner wrote Parsifal, which is a three-act opera that tells the story of the title character's quest to save the Knights of the Holy Grail by returning the Holy Spear, healing King Amfortas, and carrying out the sacred ceremony of uncovering the Holy Grail.
Die Meistersinger von Nürnberg - Bayreuther FestspieleDie Meistersinger von Nürnberg - Bayreuther Festspiele · 2017
Die Meistersinger von Nürnberg - Bayreuther Festspiele
2017
MovieMusic
The high-point of the 2017 Bayreuth Festival, Barrie Kosky’s astonishingly entertaining and convincing new Meistersinger is a triumph: a production of enormous insight and great quality... that plumbs the depths of both the opera and its composer.
Tannhäuser und der Sängerkrieg auf der Wartburg - Bayerische StaatsoperTannhäuser und der Sängerkrieg auf der Wartburg - Bayerische Staatsoper · 2017
Tannhäuser und der Sängerkrieg auf der Wartburg - Bayerische Staatsoper
2017
MovieMusic
Klaus Florian Vogt sings Mozart, Wagner, and Strauss @ Château de Neuschwanstein 2025Klaus Florian Vogt sings Mozart, Wagner, and Strauss @ Château de Neuschwanstein 2025 · 2025
Klaus Florian Vogt sings Mozart, Wagner, and Strauss @ Château de Neuschwanstein 2025
2025
MovieMusic
On an open-air stage in the castle courtyard, Klaus Florian Vogt and the Munich Symphony Orchestra present a varied program featuring works by Mozart, Wagner, and Strauss.
Beethoven · FidelioBeethoven · Fidelio · 2014
Beethoven · Fidelio
2014
MovieMusic
A tribute to marriage coming from a bachelor is a tad suspicious. But for Beethoven the idealization of the woman-bride was heartfelt and sincere. It has always been a unique opera starring a courageous wife who wows audiences. Fidelio is a moral title, associated with the ideals of liberty of the French Enlightenment. Nobility and commoners are united in their thirst for justice against the oppression of power. For once the faithful consort of a desaparecido wins her battle against a treacherous tyrant, and the collective joy truly is “nameless”, as is sung on the stage. Especially because the “our heroes to the rescue” finale is recounted by the triumphant symphonic flair of the quintessential musician. Beethoven really does bring the world to collapse at the conclusion of this opera, which begins like a delightful little comedy, but which scales and transcends all the summits of the dramatic-musical art.
Lohengrin - Bayerische StaatsoperLohengrin - Bayerische Staatsoper · 2022
Lohengrin - Bayerische Staatsoper
2022
MovieMusic
Der Klang von NeuschwansteinDer Klang von Neuschwanstein · 2026
Der Klang von Neuschwanstein
2026
MovieDocumentaryMusic
LuluLulu · 2009
Lulu
2009
MovieMusic
New peoduction, 2009. Filmed by the Royal Opera House in co-production with Opus Arte, June 13/17.

Filmography

Sort
Beethoven · FidelioBeethoven · Fidelio · 2014
Beethoven · Fidelio
2014
MovieMusic
A tribute to marriage coming from a bachelor is a tad suspicious. But for Beethoven the idealization of the woman-bride was heartfelt and sincere. It has always been a unique opera starring a courageous wife who wows audiences. Fidelio is a moral title, associated with the ideals of liberty of the French Enlightenment. Nobility and commoners are united in their thirst for justice against the oppression of power. For once the faithful consort of a desaparecido wins her battle against a treacherous tyrant, and the collective joy truly is “nameless”, as is sung on the stage. Especially because the “our heroes to the rescue” finale is recounted by the triumphant symphonic flair of the quintessential musician. Beethoven really does bring the world to collapse at the conclusion of this opera, which begins like a delightful little comedy, but which scales and transcends all the summits of the dramatic-musical art.

Florestan

Mussorgsky: KhovanshchinaMussorgsky: Khovanshchina · 2012
Mussorgsky: Khovanshchina
2012
MovieMusic
Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!

Andrei Khovansky