Michael Gillis

A man is reluctant to tell his fiancee that his parents, uncle and brother are dwarfs.

Nora, a single mother raising two teenage daughters, Shade and Trudi, waits tables at a truck-stop diner in a small New Mexico town. The beautiful and rebellious Trudi drops out of school and gets a job alongside Nora, while the younger Shade whittles away her time at Spanish movie matinees. Their lives are turned upside down when Trudi becomes pregnant and the girls' absent father returns.

A unique look at the making of Stand by Me including interviews from Stephen King, Rob Reiner, Kiefer Sutherland, Richard Dreyfuss, Wil Wheaton, Corey Feldman, and Jerry O'Connell.

A short documentary about the making of Ultraviolet. It delves into castings, directing, visual effects and such.

A retrospective look back at Jim Henson's 1986 fantasy film 'Labyrinth'.

The making of 'The Hitcher'

Portland, 1988. Filmmaker Gus Van Sant shoots Drugstore Cowboy, the project that will bring he and his collaborators a formidable burst of mainstream attention. Starring Matt Dillon, Kelly Lynch, and Heather Graham, the film follows a roving quartet of drug addicts — and, consequently, drug thieves, especially from the businesses of the title — who wash up in Portland's then-gritty Pearl District. A death among their own spooks the leader of the pack into trying to clean up, and an encounter with a sepulchral junkie priest does its part to convince him further. Or maybe we should call him a Junkie priest, portrayed as he is by a controversial cameo from writer William S. Burroughs. "I'm going back to the old days," Burroughs says of his role early in the above documentary on the making of Drugstore Cowboy. "The old days when they used to give people morphine in jail. The old days before the methadone programs."

A look at the making of the classic Bill Murray comedy "Groundhog Day."