Lawrence B. Marcus

Writing

Lawrence B. Marcus

Born July 19, 1917 · Beaver, Utah, USA

Died August 28, 2001 · aged 84

Lawrence B. Marcus (July 19, 1917 – August 28, 2001) was an American screenwriter. He was nominated for an Academy Award in the category Best Adapted Screenplay for the film The Stunt Man. Marcus died in August 2001 of Parkinson's disease at the Motion Picture & Television Fund cottages in Woodland Hills, California, at the age of 84.

Known For

Witness for the ProsecutionWitness for the Prosecution · 1957
Witness for the Prosecution
8.21957
MovieDramaMystery
An ailing barrister is thrust back into the courtroom in what becomes one of the most unusual and eventful murder cases of the lawyer's career when he finds himself defending a man being tried for the murder of a socialite.
The Stunt ManThe Stunt Man · 1980
The Stunt Man
6.61980
MovieActionComedy
A fugitive stumbles onto a movie set just when they need a new stunt man, takes the job as a way to hide out and falls for the leading lady while facing off with his manipulative director.
PetuliaPetulia · 1968
Petulia
6.01968
MovieDramaRomance
Dr. Archie Bollen is having a midlife crisis. He's just divorced his wife and is establishing a new life for himself. One night, he catches the eye of Petulia Danner, a charming, free-spirited young woman. Petulia's vibrant personality hides her fear of her abusive husband, David, whose father is a powerful society figure. As Petulia and Archie's feelings for each other grow, they must decide what it is they truly want.
Witness for the ProsecutionWitness for the Prosecution · 1982
Witness for the Prosecution
6.61982
MovieCrimeDrama
An ailing barrister is thrust back into the courtroom in what becomes one of the most unusual and eventful murder cases of the lawyer's career when he finds himself defending a man being tried for the murder of a socialite.
Dark CityDark City · 1950
Dark City
6.51950
MovieDramaThriller
Gamblers who "took" an out-of-town sucker in a crooked poker game feel shadowy vengeance closing in on them.
BackfireBackfire · 1950
Backfire
5.91950
MovieMysteryCrime
When he's discharged from a military hospital, ex-GI Bob Corey goes on a search for his army buddy Steve Connolly. A reformed crook, Connolly is on the lam from a trumped-up murder rap, and Corey hopes to clear his pal. Tagging along is Army nurse Julie Benson, who has fallen for Corey.
The BigamistThe Bigamist · 1953
The Bigamist
6.41953
MovieDramaRomance
San Francisco businessman Harry Graham and his wife and business partner, Eve, are in the process of adopting a child. When private investigator Mr. Jordan uncovers the fact that Graham has another wife, Phyllis, and a small child in Los Angeles, he confesses everything.
PaulaPaula · 1952
Paula
8.21952
MovieDrama
A woman, distraught because of her recent miscarriage, accidentally injures a child in a hit-and-run accident, but she keeps the incident a secret. Overcome with guilt and remorse, she seeks out the child in the hospital and attempts to help him regain his speech, even though, if successful, it might mean he will implicate her for the crime.

Filmography

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Cavalcade of AmericaCavalcade of America · 1952
Cavalcade of America
4.61952
SeriesDrama
Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

Teleplay