Marieke Heebink

In the year of 754 AD, during a time of epic battles and bloodshed, the legend of the pagan warrior king, Rebad, is born, but so is a new weapon against his people: Christianity. Redbad must ultimately unite a Viking army powerful enough to defeat the seemingly invincible Franks.

In a small, unnamed European town the entire population depends upon the local, ailing factory. When American investors arrive, prosperity fever infects the residents.

In Roman tragedies, Ivo van Hove and Jan Versweyveld have created a unique arena in which Shakespeare speaks about our time more than ever and the political game in all its facets.

It seems that misdeeds by inhabitants of the Dutch provinces make for believable stories, whether they are mysteries by Willem van de Wettering, or psychological thrillers by Simon Vestdijk, who wrote the book this film is based on. In the story, set in the 1950s, Hendrik Grond (Gijs Scholten van Aschat) has a good law practice, and a happy marriage which has produced a son. He is so contented that his world is completely shattered when, undetected, he catches his wife in bed with his law firm's senior partner. In fact, he has become quietly unhinged, and he arranges a series of "accidents" to ensure his revenge - becoming involved in the local underworld in the process. Will he succeed in committing a series of "perfect" crimes, or will the police inspector (Johan Simons) investigating these incidents get wise?

In this worldwide bestseller, we watch four men over a period of more than thirty years: lawyer Jude, actor Willem, visual artist JB and architect Malcolm. The story is the history of their friendship, as they remain closely connected with each other during the rest of their lives. They develop their careers in the city where ambition and success are the indicators of a successful life: New York. Ivo van Hove adapts Hanya Yanagihara’s novel to theater and creates a penetrating performance.

A frustrated artist from the city is seeking solace with a recently widowed farmer. To get closer to the farmer, she does her utmost to approximate his departed wife. But her fertile imagination leads her to go too far.

Ivo van Hove's direction of Les Damnés had its world premiere as the opening performance of the Festival d'Avignon. This theatrical adaptation, based on a film script by Italian film director Luchino Visconti, shows how a family of rich German industrialists is fatally corrupted by its collaboration with the Nazi party that has come to power. Family patriarch Baron Joachim resists and is liquidated. The struggle for the succession leads to an escalation of intrigues and manipulations, betrayal and murder.