Liz Kirkman

MARIAN is an 80 year old resident of Meadow Park Rest Home. During a difficult visit, her daughter PHILLIPA is forced out and accidentally leaves something important behind. Wandering out of the rest home, the outside world proves challenging, as Marian battles her mind in an attempt to return her daughter’s beloved possession.

A loving mother stricken by grief turns on her child as she sleepwalks through the night.

One family. One weekend. One hell of a home video. Births, Deaths and Marriages is a slice of life kiwi comedy about life, death and everything in between.

In the near future, police detective Richard Manning is investigating the most difficult case of his career – the seemingly impossible locked room murder of a wealthy property investor. The more Richard investigates, the more complex the case seems to become. He soon realizes his own future and survival depend on him solving everything – and quickly.

When an attack on a Palmerston North fraud detective made headlines in October 1996, the New Zealand public followed the media reports with fascination. They read like a plot of a Hollywood film or detective novel. Poison pen letters, satanic worship, a police hate crime, and a mysterious and violent pyromaniac. But little did the public know that as the truth emerged, the story was going to get far more bizarre, and the police would turn the focus of their investigation on one of their own.

A mother tries to end her teenage son’s relationship with an older woman at the risk of losing him altogether.

"I chose to tell this story from the point of view of the Neighbour, not only because I find his perspective interesting when it comes to this issue, but also because the issue of domestic violence is so heavy and everyone has their own connotations towards it, which is why this film, for me, is not about domestic violence, but rather the influence of it. This allows me to explore a whole range of emotions and feelings, and be able to show them with greater depth by taking us away from the direct environment in which this abuse takes place, and put us somewhere close enough to still reach out to it.