Luis Ospina

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.

An outcast looks for a glass of water in the house of a single woman, he notices that she is industrious yet repulsive and resolves¸ under the guise of love¸ to exploit her as a servant. After some drunkenness and beatings¸ the woman decides to take revenge; taking advantage of one of these drunkenness¸ when he has fallen asleep in a hammock¸ he sews the hammock around the edges and throws a pot of boiling water on it.

Experimental film inspired by Andy Warhol's 'Sleep'.

The documentary Sin Telón celebrates the national artistic values of Teatro La Candelaria, recognized both nationally and internationally as one of the leading Latin American experimental theater groups. The film highlights the extensive career of Santiago García while also portraying the everyday life and unique working methods of this dedicated ensemble of artists from Teatro La Candelaria.

Roberto Hurtado suffers from a rare disease that requires massive transfusions of blood from children or adolescents. His son blackmails three employees to get blood for him and they resort to unscrupulous methods to obtain it.

An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.

August 6, 1956 during the military dictatorship of Rojas Pinilla. A military convoy loaded with dynamite explodes in the center of Cali, destroying a good part of the traditional buildings of the city and exposing the roots of some houses that for years had kept the secret stories of their inhabitants.

Faced with his imminent death from AIDS, Colombian artist Lorenzo Jaramillo looks back on his life and work through the five senses.

Remembers an artist in the form of a somnambulistic fantasy: A filmmaker faces increasing challenges as she tries, decades later, to complete Dominican filmmaker Jean-Louis Jorge’s unfinished work.

Based on the only four surviving shots of the first Colombian silent film, MARÍA (1921), by directors Máximo Calvo (Colombia) and Alfredo del Diestro (Spain), IN SEARCH OF ‘MARIA’ combines historical research, interviews, and scenic reconstruction to rescue the memory of a lost film.

Hairdressers in Cali discuss life, work, dreams, beauty, fashion, and homosexuality. The filmmaker is having a haircut too. Second installment of the crafts trilogy.

In an old and mysterious tropical mansion cohabit the supposed owner, a friar, a convalescent pilot, the Haitian servant, the mercenary guardian and the Machiche, a mature and dominant female. A young model arrives there to unleash all kinds of passions.

A wild short made as part of a filmmaking workshop that Raúl Ruiz ran in Bogotá in October 1993.

The life of Pedro Manrique Figueroa, a pioneer of collage in Colombia, is both incomplete and contradictory. Taking his life and work as a pretext, this mockumentary takes the viewer on a journey through history from the year 1934 up until 1981, when the artist mysteriously disappeared from view.

'A Ballad for dead children' is a tribute to Andrés Caicedo and Cali and it's group, as the seed of a cinematographic phenomenon, but it goes one step further. Testimonies and fragment readings compose, together with a very powerful archive material, the story of a story that has a deep sense and cinematographic interest: the story of Andrés and his eternal fascination with horror literature and cinema b, the of the boy who was born to write, that of the young man who decided to mock death by planning his own ending. A film that tries to maintain the difficult balance on the fine line that separates and unites the two: man and work, work and man, in an eternal and indissoluble way.

The vengeance of a housemaid against the family that hired her.

Documentary about the effects of the VI Panamerican Games in the city of Cali, seen from the point of view of the people that couldn't get into the stadiums.

A film about shoeshiners in the streets of Cali. A pure piece of direct cinema in the first installment of the crafts trilogy.

Two filmmakers travel around impoverished sectors of the cities of Bogotá and Cali in search of the images of abjection needed to complete a documentary commissioned by German TV. Meanwhile, another camera captures these “vampire” filmmakers feeding off the misery of their marginal subjects.

Using the unfinished film, ANGELITA Y MIGUEL ÁNGEL, by Andrés Caicedo and Carlos Mayolo, as a structuring device, friends of prolific film critic and writer Andrés Caicedo, an unforgettable figure of the group of Cali in the 1970s who left an incredible amount of texts, reflect upon his life, his work, and his suicide at the age of 25, testify to his influence in the cultural life of Colombia, and remember his strong and touching personality.

It begins with the tragedy of Armero, during the course investigates the murder of a beautiful woman and on his way some people die in the end a killing and a cemetery. Emerson Roque Fierro, former policeman and private investigator shadowing, investigates the murder of "Golondrina", a beautiful young woman, occurred in a seedy hotel in downtown Bogota. Without knowing who it is, begins to understand their relationships with a motley gallery of men: a corrupt politician, connected to drug trafficking and paramilitary groups, a bullfighter cunning and good for nothing, a boxer fallen on hard times with a force so stupid as rare Lotero intellect and an insightful blind. And in the midst of this, the dark threads entangling power to everyone, and especially the poor Fierro.

This two-part documentary series made for regional television captures a crucial moment in Cali and Ospina's relationship with its city: a crossroads where the break with the city of youth becomes inevitable and painful. The first part, Cali plane X plane, is a counterpoint of image and sound on the destruction of architectural heritage. The second, Goodbye to Cali / Ah, Goddess Kali !, brings together the opposing testimonies of local artists who have dealt with the theme of the city and the devastators who have insisted on destroying it.

For lina Gonzalez Vergara.