Ryuzaburo Hattori

Precocious tween Karin finds herself abandoned by her father in rural Japan. Living in a temple with her grandfather, she meets Anzu, a giant "ghost cat" and notorious layabout tasked with looking after her. Distrustful of her new guardian, Karin sabotages Anzu's odd jobs for the townsfolk and befriends the eccentric local forest spirits. In an effort to win Karin over, Anzu accidentally makes a deal with the devil, and all Hell breaks loose.

Aki had been living in Tokyo, but grew tired of that life and returned home to help out at her parents' photo exhibition. Meanwhile, Yusuke, Shinji, and Setsuro, who work at a supermarket, lament the lack of opportunities to meet people in the countryside. So Yusuke invites Aki, who is a neighbor, to a camping blind date.

Tamako graduated from a university in Tokyo, but she now lives with her father back in Kofu. Tamako doesn't help her father or tries to get a job. She spends her time just eating and sleeping throughout the four seasons of the year.

On the edge of a small ocean town, there stands a small establishment called “Do-re-mi”. Three prostitutes, Sora, Shido, and Rei work here. They live together with the owner of the place, Kaname Toki in an at-home environment. Lately, Kaname’s kohai, Fuwa has been coming by frequently. Seeing Fuwa, who has lost his ability to get hard, Kaname’s father Minami invites him to the establishment to try to stimulate him. His partner is Shido, who has had an interest in Fuwa, however, Fuwa’s expression remains stiff. The reason for this is that the mayor of the town is leading a redevelopment movement, and Kaname’s establishment is in an area that needs to be evicted. Fuwa has been in charge of the eviction and is thus troubled. Shido finds out about his situation and the shop’s upcoming fate. Meanwhile, Kaname proposes to Sora and she begins to have feelings for him. Both parties are at a crossroads…. what will they choose?

A film about making films, we follow the exploits of Kiriko, an indie film director who is struggling to make a road movie that ends on a beach. Why do so many independent films have to have a beach scene? That is a question that gets asked along the way but her journey to the location is beset with difficulties, from budget to casting. There is only so much she can do and so she inches forward making compromises and finding ways around problems to realise her dream, all while living in the real world and fulfilling obligations to others as best she can.

Haruo, a director, auditions for a film already partially shot in Taiwan. Thus he meets Ma, a young Taiwanese skater just as disoriented as he is.