Patrick Morin

Even Angels Eat Beans

Two mismatched buddies are mistaken for mob enforcers in Depression-era America.

Western, Italian Style

A featurette (most likely shot for American television) about the Spaghetti Western genre during the late 60's and how it had affected Italy at that particular point in time. Contains behind-the-scenes footage from the films "Il Grande Silenzio" "Vado, Vedo e Sparo" "Ammazza Tutti e Torna Solo" and "Corri, Uomo, Corri" and interviews with their directors and cast.

Woman Buried Alive

Duke Philippe marries Cristina, the daughter of a fisherman. But his brothers, seeing that they would be cut from the family inheritance set to go to Cristina, decide to get rid of her by imprisoning her in a tower and making the duke believe she died.

Theatre 625

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Even Angels Eat Beans

Two mismatched buddies are mistaken for mob enforcers in Depression-era America.

Western, Italian Style

A featurette (most likely shot for American television) about the Spaghetti Western genre during the late 60's and how it had affected Italy at that particular point in time. Contains behind-the-scenes footage from the films "Il Grande Silenzio" "Vado, Vedo e Sparo" "Ammazza Tutti e Torna Solo" and "Corri, Uomo, Corri" and interviews with their directors and cast.

Woman Buried Alive

Duke Philippe marries Cristina, the daughter of a fisherman. But his brothers, seeing that they would be cut from the family inheritance set to go to Cristina, decide to get rid of her by imprisoning her in a tower and making the duke believe she died.

Theatre 625

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.