Shoichi Kofujita

Brothers Keiji and Ryoichi move to a new neighborhood in the Tokyo suburbs after their father, an office clerk, is promoted. The boys join the local gang as lowly new kids and emerge as natural leaders after defeating a bully. While visiting the home of their father's boss, the brothers witness the ridicule their father endures to please his superior. Angry and embarrassed, the boys find their naive ideas about power being challenged.

A gentle, war-shattered ex-soldier, Kinji Kameda, arrives in wintry Hokkaidō and is pulled into a volatile tangle of love and pity between the disgraced Taeko Nasu, the proud Ayako, and his possessive friend Akama. Kameda’s saintly compassion exposes everyone’s wounds, steering the quartet toward jealousy, violence, and inexorable tragedy. Adapted from Dostoevsky’s novel.

A group of rank-and-file soldiers are jailed for crimes against humanity, themselves victims of a nation refusing to bear its burdens as a whole.

Shuhei Horikawa, a poor schoolteacher, struggles to raise his son Ryohei by himself, despite neither money nor prospects.

An aging geisha, whose angry teenage son is ashamed of her profession, works alongside a young geisha, resentful of her family for forcing her into a life of shame.

A rural village elder plans an event on the return of a farmer's daughter from the city, unaware that she has become a Westernized burlesque artist.

A President of the confectionery company announced his retirement, and his sixteen year old granddaughter, Madoka was ordered to be a new head. But Madoka wants to be a stage dancer, so she won't concentrate her office job. Madoka meets Akiyama, a stage director. Akiyama introduce her to his neighbors. In among poor but open minded people, Madoka has changed. Her new ambition is her company provide nice sweets for children. She decide to focus on the office job. But she doesn't know that company executives has conspiracy against her...

Strip dancer Carmen falls in love with Hajime, who is engaged to the daughter of a right-wing politician.

Part two of Shimizu's major silent Seven Seas, a family drama of the intertwining fates of the rich, decadent Yagibashis and the far less prosperous Sone family.

When Tsukamoto is made redundant he cannot bring himself to tell his wife. Instead he investigates other employment opportunities. Considered to be a lost film.

A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.

A blacksmith is chased out of the village by the sinister village chief and forced to move to the forest with his wife and two sons. The blacksmith's younger son is disabled, and the other children in the village tease him. The older son aspires to become a doctor in order to fix his brother's leg. The film depicts the bond between a father and his sons. Only 18 minutes survive.

A modern girl suddenly intrudes into a widower's family home.

Shinpachi Morimura, who was born in a fusuma craftsman's house, wants to join the Japanese navy. However, his father wants him to continue in the family business and refuses to accept it.

Most of the students studying Ikebana with Kozoe Iemoto are daughters of rich Tokyo families. Kozoe meets and grows close to a doctor who proposes marriage but whose mother harbours ill feeling towards her because of an incident in the mountains where a child got into difficulties. Kozoe rejects the proposal but falls ill and when she recovers, decides to devote herself entirely to the world of flower arranging.

A young, talented singer (Misora) is orphaned, not once but twice, and has to turn to a rather unlikely, and unwilling, parental figure, while avoiding her wealthy, absentee father, his hired goons, and the neighborhood fortune teller (Enoken) who's after the reward money.

The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.

Toshie, a young, conservative secretary-typist has fallen in love with Shozo Narita, a young man she has met through her work.

Japanese silent film from 1928.

Shigeko and Midori, star swimmers at the renowned Kirishima Girls’ School, are training relentlessly with their sights set on the Los Angeles Olympics. But for the past week, Shigeko has been absent from practice. Her father has fallen ill, and to support her family’s struggling finances, she has secretly taken a job at a trading company. When Masao discovers this, he asks Midori to convince her to return, but soon the school learns of her secret. The students rally to raise funds, though the principal refuses their help, promising instead to handle the situation himself. Shigeko resumes training and travels to Tokyo for the qualifying meet. She touches the wall first in the 100-meter freestyle—only to receive news of her father’s passing. Overcome with grief, she collapses, cared for by Midori, whose own exhaustion leaves her finishing fourth. Despite these hardships, their prior accomplishments earn them a place on Japan’s Olympic team.

A melodrama about an orphan and her mother who are separated and lose contact, but are later reunited.

An older sister and brother (Mieko Takamine and Masayoshi Otsuka) come to visit their grandfather (Takeshi Sakamoto) who lives deep in the mountains. As for their parents, father was serving in the South Seas and mother died of illness on her way home. So, the brother, who is still young, will live alone with his grandfather whilst the sister goes away to study to become a teacher.