Torajirō Saitō

Based on the comic by Ichio Matsushita

A melodrama about an orphan and her mother who are separated and lose contact, but are later reunited.

Two criminal brothers try to go straight but face opposition from one of their criminal cohorts. Considered to be a lost film.

A 1954 film.

Costume comedy

A young boy named Chomatsu (Misora Hibari) lives with an old man Denbei near the grounds of Asakusa temple as bell ringers. In their house is an Echigo lion mask, a memento of Chomatsu's deceased father. After several incidents of Echigo lion masks being destroyed in the area, a local kingpin Saheiji shows up at Denbei's demanded he hand over the mask, a request Denbei rejects out of pity for Chomatsu. However, after it is accidentally revealed that the mask contains an important map, Saheiji plots to steal the mask. Chomatsu gets involved after his mother makes a sudden reappearance that sends the boy on a roundabout journey that will reveal the truth about his family.

The feudal lord Kisaragi Yae no Kami (Minami Komyo) searches for a child he had with a low-borne woman, that was sent away from his home 16 years ago while carrying a special seal. At that time, Kanda's detective Zenshichi (Ichikawa Kodayu II) had three daughters, the third of whom, Omiyo (Misora ​​Hibari), was a skilled singer and an expert with the lasso.

A frenzy of goodwill, tears, laughter, and a lot of fun, caused by thirteen children under the guise of a good-natured fruit vendor and his wife.