Takis Kanellopoulos

​Two strangers, a man and a woman, meet during a brief interlude in their journeys, discovering a connection that exists only within the hours of a train delay.

1941 and the war culminates. The wife of a lieutenant and a sergeant fall madly in love. Times and circumstances -military service, marriage, friendship between the two men- forbid this love, but do not negate it. When the lieutenant is injured and taken to hospital, the two lovers, against all odds, dare the only possible way out: he defects, she leaves her husband, and they begin a journey without return towards the border.

Three separate stories about lonely men from Northern Greece facing turning points in their lives. In "A Silver Coin on the Lips", a bereaved archaeologist works in the ruins of ancient Philippi and embarks on a journey to heal from a major loss; in "The Last of the Lesser Whites", a dedicated game warden helps ornithologists track an endangered lesser white-fronted goose along the Evros River Delta; and in "Vietnam", a dejected furniture wholesaler from Kilkis deals with a painful breakup by drinking in a loud, remote club, leading to an emotional collapse.

During the cold spring of 1941, with Greece already under German occupation, a long-suffering squad of war-battered soldiers receives orders from the headquarters in Athens to fall back, leaving behind the Albanian Front. As the men retreat through the snow-covered landscapes of the bomb-scarred Greek countryside, the terrifying certainty that nothing will ever be the same again crushes their weary human souls.

A Greek documentary by Takis Kanellopoulos about wedding traditions in western Greece and Macedonia. It was filmed in the village of Velvendo.

The brief love story that Sonia lived in the summer with her teacher, an older man and married in the 60's. For the autumn, Tonio travels with his family abroad, leaving Sonia with his most intimate memories. Sonia has lived in Florence, Paris and has acquired the romanticism of the interwar years she has found in books, paintings and music of the time. He has chosen to live a life apart, of introspection, away from the crowds, but always in a sensational mood.

Three men renegotiate such concepts as desertion, humanism, and freedom.

This film narrates six different stories in a very lyrical way: a coachman wanders around town; two elderly people go to the park every Sunday; a man leaves flowers in various neighbourhoods in memory of a friend who was killed during the war; a boy narrates how they celebrated his father’s name-day; a member of the resistance lives his last moments; a woman keeps waiting for a letter which never arrives. (Greek Film Archive)

The story of four fellow students who fall in love with the same girl.

The third part of the informal “excursion” to Macedonia – that began with Macedonian Wedding (1960) and continued with Thasos (1961) – Kastoria, with its foreign traveler on horseback seeking a fairy in the modern but rather timeless everyday life of the Macedonian city, closes a perfect cycle of uncompromising documentation right as the curtain rings down on the 1960s. Takis Kanellopoulos has now definitively exchanged history for myth (and its representation), and here he uses it as a bridge between past and present, finally mythologizing a city which, through his gaze, regains anew the characteristics of a rare Greekness, carved from Byzantine ghosts, ancient Greek outbursts, materials of soil and water that are stateless yet deeply rooted in a Greece that remains to be discovered.