Kier-La Janisse

Directing

Kier-La Janisse

Kier-La Janisse (born 1972) is a Canadian film producer, programmer, founder of international horror school The Miskatonic Institute of Horror Studies, and author of A Violent Professional: The Films of Luciano Rossi and House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films. Her feature directorial debut, the documentary Woodlands Dark and Day…

Known For

CAMPCAMP · 2026
CAMP
8.02026
MovieDramaHorror
Emily is the cause of two tragedies early in her life; her dad suggests she go to a Camp for troubled youth to ease her guilt. When Emily arrives, she is taken in by the other counsellors; they accept her as she is and wrap her in a veil of peace & forgiveness. Emily stands at the forefront of a new kind of life, but there’s a voice out there in the woods she can’t ignore, telling Emily to go home.
Eurocrime! The Italian Cop and Gangster Films That Ruled the '70sEurocrime! The Italian Cop and Gangster Films That Ruled the '70s · 2012
Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s
7.72012
MovieDocumentary
A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.
Woodlands Dark and Days Bewitched: A History of Folk HorrorWoodlands Dark and Days Bewitched: A History of Folk Horror · 2021
Woodlands Dark and Days Bewitched: A History of Folk Horror
7.62021
MovieDocumentaryHistory
An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.
Tales of the UncannyTales of the Uncanny · 2020
Tales of the Uncanny
7.02020
MovieDocumentaryHistory
A detailed look at the history of horror anthology films.
Blood in the Streets: The Quinqui Film PhenomenonBlood in the Streets: The Quinqui Film Phenomenon · 2021
Blood in the Streets: The Quinqui Film Phenomenon
2021
MovieDocumentary
Quinqui cinema encompassed a series of Spanish crime films with a unique national sensibility, as they reflected the times of the Franco dictatorship transition. Guided by academics Mery Cuesta and Tom Whittaker, this featurette explores this explosive subgenre.
The Occupant of the RoomThe Occupant of the Room · 2025
The Occupant of the Room
2025
MovieHorror
Based on the short ghost story of the same name by Algernon Blackwood from 1909, The Occupant of the Room centers on a schoolteacher whose late-night arrival at a hotel in the Alps leads to a sleepless night full of uncanny occurrences.
A Folk Horror TaleA Folk Horror Tale · 2021
A Folk Horror Tale
4.02021
MovieHorror
Maison Margiela 'Artisanal' 2021 Collection - A Folk Horror Tale - a film based on an original concept by John Galliano and directed by Olivier Dahan.
The Fated HourThe Fated Hour
The Fated Hour
MovieHorror
The Fated Hour is a 19th-century period piece set in Austria based on Friedrich Laun’s short story “The Relationship with the Spirit World,” famously cited as a key influence on Mary Shelley’s Frankenstein. Blending psychological unease with spectral ambiguity, Laun’s work helped shape the evolution of Gothic fiction from folkloric ghost story into modern psychological horror.

Filmography

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Tights Worship: Inside the Practices of The RitaTights Worship: Inside the Practices of The Rita · 2019
Tights Worship: Inside the Practices of The Rita
2019
MovieDocumentaryMusic
The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).

Producer