Dror Moreh

An estranged couple receives an unexpected visitor who throws everything in their family off balance.

How do the well-meaning and highly educated men and women of America’s foreign policy elite, dreaming of doing good in the world, so often find themselves presiding over disastrous wars and genocides? Master filmmaker Dror Moreh takes us deep inside the three decades of American foreign policy since the fall of the Berlin Wall, a period of almost constant war and mass killing

In an unprecedented and candid series of interviews, six former heads of the Shin Bet — Israel's intelligence and security agency — speak about their role in Israel's decades-long counterterrorism campaign, discussing their controversial methods and whether the ends ultimately justify the means.

How US politicians and diplomats, over the past 25 years, have come close to achieving something almost impossible: securing peace between the State of Israel and its Arab and like-minded neighbors, mired in a struggle both dialectical and violent since the early 20th century, due to historical and religious reasons, entrenched offenses and prejudices, and the invisible and tyrannical hand of third countries' geopolitical interests in the area.

October 7, 2023 was one of the deadliest days of fighting ever in Israel, with around 1,200 people killed after Hamas launched its attack and 250 taken hostage – many of whom have either died in captivity or not yet released. The project features testimony from four victims and first responders, who witnessed the massacre and its aftermath: a farmer who helped rescue young people, a young survivor of the Nova music festival who took refuge in a shelter only to witness friends being murdered, an ultra-orthodox musician who volunteered to identify victims, and a mother whose son was kidnapped and taken to Gaza. A sentence uttered by the musician, who had seen 100 dead bodies in a single day, was the inspiration behind the title.

Somewhat autobiographical, the film opens right after the 6 day war, when Israelis euphoric with victory and the kids dress up as the captured Western Wall in Jerusalem. Now it is 1972. The film centers on a young boy, who is failing in school, and grounded from going on Passover trips with his classmates. Instead he must visit private academies (including military school) with his parents, who want him to do better in school. Foreshadowing to the coming war in 1973 and the defeat of euphoria.

In ha-Argazim, a neighborhood that time forgot, the one-year anniversary of Morris Mandabon's death is approaching, and his youngest son, Nissim has had a dream in which his father orders him to re-open the old neighborhood movie theater, thus breaking the vow that Morris had made years before never to screen movies again. Nissim and his brother George, together with Aharon Gabardine, who was the projectionist back in the old days, are determined to fulfill Morris' request. The same day Nissim has his dream, Avram Mandabon, Morris' brother, returns for his brother's memorial after a 25-year absence. His reappearance causes old family feuds to resurface.

No easy answers? Decision-makers from Kissinger to Rice revisit how the US responded to conflicts from Rwanda to Iraq. Faced with human suffering - who has responsibility to act?