Johanna Heer

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.

A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.

A plump Munich mortuary worker tracks down and seduces a married subway conductor.

F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.

This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.

A French special op suffers an existential crisis as he wanders New York City in search of a mission and the requisite connections.

This film by Johanna Heer and Werner Schmiedel represents a homage to a man revered internationally as one of the great humanitarians of the 20th century. Raul Hilberg and other intellectuals also perceive him as a philosopher, although his primary work for many decades was the investigation of Nazi criminals.

No-Wave film directed by Gordon Stevenson from Teenage Jesus & the Jerks. Mirielle Cervenka (Exene's sister) plays a young woman named Rose who is afflicted with a case of extreme stigmata.