Vieno Saaristo

The relationship between a priest's wife and the renovator crackles with passion. While the rectory terrace is being restored, there is a triangular drama at the fore: a priest, a priest’s wife and a renovator.

Bright young soldier Mertsi suffers a permanent brain injury in the Second World War. In the late 1940s he wanders around the Finnish countryside looking for simple work and relying on other people's help. A workmate, Ville, tells him about his clever Spitz dog back home and the problems with her overlong dew claws. Together with his helpful war buddy Eetvi, Mertsi joins a lumber camp in the middle of a freezing winter, tries hard but finds the work there too strenuous for his body and mind. While he still sees nightmares about the war, in the daytime he keeps dreaming and worrying about the dog...

A cynical city dweller returns to his hometown to sell his family home, but becomes unexpectedly nostalgic.

In this stylish Finnish drama, the secrets and desires of a family can no longer be suppressed. Mikko turns out to have a hereditary illness. Since then he has been worried. How long can he continue to run the family business that he and inherited from his father, just like his illness? And how does he tell his teenage daughter and adult son that they might have the wrong genes? The imaginative eight-year-old Lumi, adopted from China, also cannot get away from her roots.

Antti "Zombie" Autiomaa does two things well: play the bass guitar and drink. After several months' sleeping on the streets of Istanbul, he returns to Helsinki where he's called into the army but discharged on mental health grounds after adding turpentine to the officers' soup. Zombie lives bleary-eyed in an apartment off his parents' house where his lonely, unemployed father suffers from heart disease. His girl-friend Marjo has taken up with a hairdresser but comes back to Zombie. His friend Harri hires him as a roadie for his band "Harry and the Mulefukkers" then gives him a chance as a bass player. He has his girl and he has a gig, but can Zombie put the bottle down?

April is the Cruelest of Months is a 1983 film directed by Suvi-Marja Korvenheimo, also known as Anssi Mänttäri, and the final part of the Korvenheimo trilogy. It was named after the first verse of T. S. Eliot's poem series The Waste Land. The film, shot in ten days, is a satire on the candles of Finnish culture.

The twin sisters Helena and Irene are born in Helsinki during World War II. A few months later their mother, Sirkka, leaves the girls in the care of their grandmother, an old communist, and runs away with a German soldier. Their life under the protection of their grandmother and the teachings of communism ends first with the death of Stalin, then with that of their grandmother. The girls are eight years old when they are put in an orphanage. Their mother shows up at the orphanage in the company of Ramon, a Spanish trapeze artist. They are on a talent search for a German circus. Ramon trains the reluctant Irene during circus tours in Central Europe. She becomes the trapeze star of the circus. The hard work soon exhausts Irene and she falls from height, as if on purpose. Helena has secretly learned the art of fire-eating. Now she is burdened with both her mother and her sister. The violent life, however, separates the three from each other. In the present-day Helsinki the middle-aged...