Raúl Rizzo

Film based on the real case of the sinking of the cazatorpedera "La Rosales", Navy Argentina, occurred in 1892 on the coast of Uruguay. In that event only saved from death the captain and the officers, raising more suspicions.

Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.

A small revolution breaks out in a small Argentine town, as one group of Peronists calls they newly elected peronist a communist. The newly elected official enlists the aid of allies ranging from the town drunk to young peronists to help hold his post. What follows is a slapstick war with a serious message.

Leonor Capulletti and Quique Monteschi, fanatics of the same club, love each other in a passionate as well as conflictive courtship, because their respective families are allied in opposing and irreconcilable factions.

A reporter becomes involved with a band of terrorists hiding in the mountains between Peru and Bolivia.

At an Alcoholics Anonymous meeting, a single mother tells the story of how alcoholism destroyed her personal and professional life.

Laurita, a 40-year-old woman, accepts taboos of all kinds. In the search for an identity, she goes from one man to another, from the present to the past, from fantasy to reality. However, there is a tension that grows and grows, until it culminates in a surprise. Her memory goes back to review her loves and the different stages of her life: adolescence, her transgressing role and her fight against her own prejudices.

Upon turning 55, Pepe, a bank manager, feels bored with his life. He abandons his family, quits his job, takes a woman younger than him as a lover, and becomes associated with a moneylender.

Two men from completely different backgrounds confront a gang of swindlers. Norberto Lorenzi and Guillermo Parodi are the two "jokers" who meet and relate with the usual initial distrust. Lorenzo is impelled by the necessity to clear the name of Pérez, his best friend. Parodi, on the other hand, has been called to disperse a ring of "narcos"...

There is everything in this hospital, a good doctor, one who only wants money, one with sexual perversions and the director who hides everything.

Argentine dictatorship, 1978. About to have a child, Ernesto moves in with his girlfriend Paloma. What he doesn't know is that the military is looking for them. When they are arrested, they are taken to a clandestine prison. Once there, Paloma dies in childbirth, and Ernesto is tortured to death. In 2010, Alejandro, Ernesto's priest brother, thinks he recognizes the couple's daughter, Natalia. After contacting his niece, she must decide whether to accept his true identity or the one imposed on her for 30 years.

At an emerald wedding celebration, María Teresa and Oscar reunite their family, consisting of their three children: Diego, a frustrated, divorced man; Miranda, an intense woman married to a successful businessman; and Josefina, a struggling single mother. As financial and existential problems arise between the siblings, the family faces an even greater challenge when Josefina is diagnosed with brain cancer. While struggling with their own personal difficulties, the siblings must find a way to support their sister and reconcile, fulfilling their father's wish that they become a united family again before it's too late.

Unit 9 was the prison where the brutal military dictatorship held thousands of political prisoners, separating their leaders into two Death Rows, only to murder them without trial. Not only would the prisoners be murdered by the army, but their families as well. The struggle for life and dignity was renewed every day, and will, ingenuity, and humor were weapons of resistance.

Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

A small team of con artists for hire use their skills to solve common people's life problems.

An idealistic man unknown to the townspeople is accused of murder. To avenge his name he pretends to be the priest and discovers a story full of betrayals and misery.

Gina Falcone and Marcelo Ricciardi are in love; however, fate—and her brother, who disapproves of the union—ultimately tear them apart. Unaware that Gina is carrying his child, Marcelo enters into a marriage arranged by his father to a woman named Elsa. While in hiding at a convent, Gina gives birth to a daughter and names her Fiamma. However, the Mother Superior suggests she hand the child over to the father, and Gina, in the throes of a feverish delirium, agrees. Marcelo marries, and after recovering from pneumonia, Gina retreats to another convent, where she takes her vows and assumes the name Sister Piedad. Years later, Gina learns the whereabouts of her daughter and of Marcelo—now a widower with another daughter named Virginia. She then becomes "The Strange Lady" (*La Extraña Dama*), a mysterious woman who, at the end of each day, sheds her habit to visit her daughter and the man she has never stopped loving.

Amas de Casa Desesperadas is an Argentine television series, that debuted on Canal 13 on August 30, 2006. Set in the fictional Manzanares Street, a suburb surrounding Buenos Aires, the series follows the lives of four housewives and the domestic problems and daily mysteries surrounding their husbands, friends and neighbors, which can be more sinister than they appear. The series' tone combines elements of drama, comedy, mystery, farce, soap opera and satire. Based on the American television series, Desperate Housewives, it was developed for Argentina by Buena Vista International and Pol-Ka Producciones. The show’s first season was broadcast by Canal 13 on Argentina, and also by other networks on Uruguay and Paraguay. On October 2006, Canal 13 renewed Amas de Casa Desesperadas for a second season, that will start filming on August 2007.

Time to Think proposes to address the problem of gender violence, questioning stereotypes and the ways in which women are represented in the media. Each episode poses a conflict that runs through the daily life of a woman and her environment. With a mixture of drama, romantic comedy, and humor, it addresses a socio-emotional conflict that runs through a woman's life, faced with situations that intersect opposite feelings.