Luisa Vehil

A teacher who has secluded herself in a small town is harassed by a commissioner.

In a fort in the middle of the Pampa, their commander Hilario Castro decides to bring women from Buenos Aires to prevent deserting soldiers.

After seven years in jail, a woman is released and has to re-enter society.

The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.

Graciela and Arturo operate a kindergarten in their mansion. Graciela is particularly keen on one boy, Luciano, on whom she makes sexual advances.

A man's terminal illness disrupts the happiness of his marriage.

In an institution for the blind, a man rails against his misfortune, his energy and thinking distorted by a need to fight his blindness. Unhappy and unable to come to grips with his condition, he stirs a sympathetic chord in another blind inmate. She in turn, slowly enters into a relationship with him that starts to transform the ways he perceives himself and his blindness.

A legend of curses and death in an austere and dry desert where rain will not fall. The story focuses on the experiences and misery of an indigenous man who meets his death in the middle of the film. The dead time and the morosity of the story operate as the stylistic foundation of this indispensable national film that was shot in Patquía, La Rioja.