Abdoulaye Komboudri

Since this morning, nothing goes well for Assitan : She just surprised her husband with a beautiful young woman, Djénè, in his car. Later she realizes that one plastic bag keeps going back to her over and over. Seems like a bad omen...

In a fictional West African town, black-on-black political corruption exists "from the bedroom to the president's palace" as a mother fights for custody of her child, and a money-laundering scheme determines a government rice contract.

A beautiful noble Senegalese woman arrives one day in Ouagadougou, the capital of Burkina Faso, and creates chaos through the city with her remarkable seductive powers.

After a young boy dies of meningitis, Napoko Diarrha (Yaméogo) is accused of eating his soul because of a local sexist tradition. While this happens, her husband feels disgraced that Diarrha resists the idea of marrying off their daughter, so he exactes his revenge by spreading a dangerous rumor that would probably get her killed. Because of this, Diarrha's fate falls into the village elder's hands. When she finds out she will go trial, she decides to flee to the nearest town, Ouagadougou, before that can take place. After successfully leaving her village, Diarrha's age causes her health to decline, while her daughter grows up. Some time later, her daughter decides to travel to Ouagadougou, in search of her missing mother. Once they are reconnected, they attempt to escape from their male-dominated society.

Bintou wants to make sure that her daughter goes to school, but her husband Abel doesn’t think it’s worth it and claims there is only enough money to educate their sons. But Bintou won’t give up and starts her own business to make the extra money. Abel, wary of losing control and scared that Bintou’s newfound financial freedom will lead her to adultery, tries to sabotage her efforts. Bintou tackles sexuality, gender relations, and the fraught relationship between tradition and modernity with joyful satire.

It is an ordinary afternoon for young Mabo Keïta, at home, in Burkina Faso (West Africa). While his parents are taking a nap, he reads a schoolbook on the front porch when a stranger - an elderly man carrying his own hammock - appears for an unexpected visit. It turns out that the old man is a griot, a West African musician/entertainer whose performances include tribal histories and genealogies. The position of a griot is a time-honored one and passed down from father to son for many generations.

When Cecile (Sylvie Yameogo), an unwed mother-to-be, refuses to identify the father of her child, she is thrown out of her parents' home and eventually leaves her baby in a field, where another family finds him and takes him home. Michel (Alassane Dakissaga), the head of the household, reluctantly assumes responsibility for the baby after going to the police, the local priest and the traditional village chief, each of whom advises him to seek the counsel of another authority.

Mina, CEO of a large company, decides to take a second partner. It is a daring and cavalier decision, in an environment where polyandry is viewed with suspicion. But Mina has her reasons.