Serpil Çakmaklı

After being attacked by a stalker, Gul finally manages to catch him.

Kara Bayram is a poor farmer living in a Turkish village with his wife, 3 kids (4th on the way) and his old mother Irazca Ana. They live on their own until another villager, Haceli who is backed up by the Mukhtar (local administrator of the Village) starts to build a new house right in front of their's. Kara Bayram and Irazca Ana do not accept these uninvited neighboors from the first day and unwanted events start right away.

Yaprak is just one of thousands of young women, who leave their quiet village lives behind them to seek their fortune in Istanbul. But the reality of life in a big city is harsh, and Yaprak is forced to take a job in one of the cities licensed brothels. Her beauty and youth make her popular with the patrons and she is soon the focus of the attention of two men; Necmi, a spineless but well meaning young man, and Arab, a deranged pimp who has recently lost his main source of income, his wife Zargana. Necmi wants to take Yaprak away from her nightmare existence, but soon finds himself forced to separate from her by the viscous Arab. Arab spends all of Yaprak's money, but after a savage attack on her, she comes to her senses. She and Necmi get married and as Yaprak says farewell to her friends in the brothel, Arab returns for the last time to seek his brutal revenge...

Seyit Ağa, who attends a wedding to which he was not invited, starts an endless blood feud. A film adaptation of Osman Şahin's short story "Kanın Masalı" (The Tale of Blood).

Coming from village to the town to work as construction worker,Ibrahim (Ibrahim Tatlisis) , married Emine (Serpil Cakmakli ) daughter of Gulbahar (Suzan Avci) who sells her body for a living but some people are not happy..

A love story between a model fleeing from her boyfriend who is pursuing her because she witnessed a murder, and a novelist.

The film tells the story of a young man who contracts a terminal illness and becomes a commercial star. Zeki supports his family by driving a taxi. After being hit by a car, he is taken to the hospital for examination. His friend Metin learns that Zeki has contracted a terminal illness. The businessman who hit Zeki includes him in an advertising campaign. Believing that everything is for a good cause, Zeki agrees to portray a young man on the brink of death in the advertisements. Despite the advertising campaign gaining significant attention nationwide, things will not unfold as the banker had anticipated.

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

An unhappy girl of a rich family and a poor girl pretending to be rich go on vacation to the same place.

The urban intellectual man is so overwhelmed that he has isolated himself. The young woman, bored in the countryside, is trying to escape to a different and bigger world. One person's place of escape is the other's place of longing. In this film, which encourages us to keep the world livable, director Olgaç says that friendship between people can only exist through love.